%0 Journal Article
%T 汉中羌族傩文化面具艺术分析<br>Hanzhong Qiang Nuo Culture Mask Art Anal-ysis
%A 徐溦晨
%J Art Research Letters
%P 330-333
%@ 2326-3482
%D 2023
%I Hans Publishing
%R 10.12677/ARL.2023.124055
%X 面具作为世界上历史最悠久的文化产物之一，与人类的历史及社会的发展息息相关，而出于祈求辟邪，寻求毗佑，一部分少数民族选择进行巫傩仪式佩戴巫傩面具与神灵沟通。傩面具成为了傩文化的重要组成部分，同时不同的地区、民族拥有不同的风格与审美形象，这使得傩面具丰富多彩，种类繁多。本文将从发展背景、艺术特征与意义三个方面对陕西汉中地区的羌族傩文化面具进行分析，展现出傩面具在陕西地区的独特发展与风格。<br />
Masks as one of the world’s longest history of cultural products, and human history and the devel-opment of society are closely related, and out of prayers to ward off evil spirits, seeking Vishnu, a part of the ethnic minorities choose to carry out the rituals of witch Nuo wear witch Nuo masks to communicate with the gods. Nuo masks have become an important part of Nuo culture, while dif-ferent regions, ethnic groups have different styles and aesthetic image, which makes the Nuo mask colorful and varied. In this paper, we will analyze the Qiang Nuo cultural masks from the develop-ment background, artistic characteristics and significance of the three aspects of Shaanxi Hanzhong region, showing the unique development of Nuo masks in Shaanxi region and style.
%K 傩文化，傩面具，少数民族<br>Nuo Culture
%K Nuo Masks
%K Ethnic Minorities
%U http://www.hanspub.org/journal/PaperInformation.aspx?PaperID=74953