%0 Journal Article
%T The Cycle <i>Songs of Bukovina</i> by Leonid Desyatnikov as an Example of Palimpsest
%A Stacy Olive Jarvis
%J Art and Design Review
%P 236-247
%@ 2332-2004
%D 2023
%I Scientific Research Publishing
%R 10.4236/adr.2023.113018
%X <i><span style=\"font-family:&quot;\">The Songs of Bukovina</span></i><span style=\"font-family:&quot;\"> by Leonid Desyatnikov, composed in 2017 and insp<span>ired by folk tunes, continue the tradition of piano
prelude cycles, which </span>originated in the Romantic era and were actively
developed thereafter. This article attempts to interpret the composition as an
example of neoromantic<span>ism, acknowledging its
inseparable connection to the past while sim</span>ultaneously exploring the
stylistic features of the composer¡¯s method. Significant attention is devoted
to the romantic idea of synthesis: ¡°The Songs of Bukovina¡± exhibit a fusion of
incongruous elements, seamlessly combining disparate and diverse materials.
%K Allusion
%K Leonid Desyatnikov
%K Polystylism
%K &lt
%K i&gt
%K The Songs of Bukovina&lt
%K /i&gt
%K Ukrainian Folk Music
%U http://www.scirp.org/journal/PaperInformation.aspx?PaperID=127145