%0 Journal Article
%T 肉身的超越——论陈彦《主角》的身体书写<br>The Transcendence of the Flesh—On the Body Writing in Chen Yan’s “Protagonist”
%A 李雅婷
%J World Literature Studies
%P 289-294
%@ 2330-5266
%D 2023
%I Hans Publishing
%R 10.12677/WLS.2023.114051
%X 陈彦的小说重视中国古典文脉，频繁将戏曲、戏剧等民间艺术资源融入小说创作之中。身体存在于文本表达之中，存在于戏剧表演之中，更存在于人生舞台上，身体的呈现源于角色高超的控制力，戏剧舞台上的身体更是文化符号的载体，《主角》中的秦腔艺人忆秦娥通过重塑身体来谋生，以身体为载体传递情感与世界形成互动关系，最终超越肉身实现生命之自觉。<br />
Chen Yan’s novels place great emphasis on the classical Chinese context and frequently incorporate folk art resources such as opera and drama into their creation. The body is a key element in these works, existing not only in textual expression but also in theatrical performance and the stage of life. The portrayal of the body is a testament to the characters’ exceptional control. On the theater stage, the body serves as a carrier of cultural symbols, as demonstrated by the Qin artist in “Protagonist”, who draws inspiration from Qin E and transforms her body to communicate emotions and establish an interactive relationship with the world. Through this process, the character ultimately transcends the physical body and gains a deeper understanding of the consciousness of life.
%K 陈彦，《主角》，身体书写，生命自觉<br>Chen Yan
%K Protagonist
%K Body Writing
%K Life Consciousness
%U http://www.hanspub.org/journal/PaperInformation.aspx?PaperID=70901