%0 Journal Article
%T 后人类主义视域下赛博格的身份认同——以电影《银翼杀手2049》为例<br>Cyborg’s Identity from a Posthumanist Perspective—Taking the Movie Blade Runner 2049 as an Example
%A 程斯媛
%J Art Research Letters
%P 263-268
%@ 2326-3482
%D 2023
%I Hans Publishing
%R 10.12677/ARL.2023.123044
%X 在科技高速发展的时代背景下，诞生自控制论的“赛博格”高度概括了当今人类社会生活，人类与非人类的界限越来越模糊，由此进入后人类主义时代。赛博朋克电影作为科幻电影的分支，其“高科技，低生活”的影视内核映射出此类电影“反乌托邦”的理念，而赛博格作为赛博朋克电影中的主体形象，实则处于边缘化的身份困境之中。本文以影片《银翼杀手2049》为例，以赛博格对于边缘化的身份焦虑与身份认同需求为出发点，探析后人类时代下人类对于自我身份的焦虑与迷茫。<br />
In the context of the rapid development of science and technology, the “cyborg” born from cybernetics highly summarizes today’s human social life, and the boundary between human and non-human is becoming more and more blurred, thus entering the post-humanist era. As a branch of science fiction movies, cyberpunk movies’ “high-tech, low-life” film and television core reflects the concept of “dystopia” in such films, while cyberpunk movies, as the main image in cyberpunk movies, are actually in a marginal identity dilemma. Taking the film Blade Runner 2049 as an example, this paper takes cyborg’s identity anxiety and identity needs on marginalization as a starting point to explore the anxiety and confusion of human beings about their own identity in the post-human era.
%K 后人类主义，赛博格，身份认同，身份焦虑<br>Posthumanism
%K Cyborg
%K Identity
%K Identity Anxiety
%U http://www.hanspub.org/journal/PaperInformation.aspx?PaperID=70825