%0 Journal Article
%T 视知觉视阈下解读中国山水画
Interpretation of Chinese Landscape Painting under the Threshold of Visual Perception
%A 张思路
%J Art Research Letters
%P 15-20
%@ 2326-3482
%D 2022
%I Hans Publishing
%R 10.12677/ARL.2022.112004
%X 中国山水画经过漫长的发展过程，已经形成了独具特色的绘画形式。在中国山水画中，并不注重对客观现实的描绘，而是选择对自然景色进行主观处理，这种主观处理的过程与视知觉活动密切相关，从客观物象到作品，这一过程不仅需要高超的技法，也需要观察概括的能力，观察概括与视觉、知觉、理解力、心理学均有联系。本文从艺术心理学入手，试图从鲁道夫·阿恩海姆的视知觉理论角度，以《艺术与视知觉》《视觉思维》为理论基础，对中国山水画进行解读。目的是为了给中国山水画的创作带来新的理论角度，为中国山水画的欣赏带来新的分析与理解的视角。并采用案例分析的研究方法结合山水画作品对中国山水画进行了分析与解读。在视知觉理论的指导下，欣赏者能够更加准确的解读作品传达的信息，了解到创作者想要表达的真实意图。
After a long process of development, Chinese landscape painting has formed a unique form of painting. In Chinese landscape painting, it does not pay attention to the depiction of objective reality, but chooses to subjectively deal with natural scenery, and this subjective processing process is closely related to visual perceptual activities, from objective objects to works, this process requires not only superb techniques, but also the ability to observe and generalize, observation and generalization are related to vision, perception, comprehension, and psychology. Starting from the psychology of art, this paper attempts to interpret Chinese landscape painting from the perspective of Rudolf Arnheim’s visual perception theory, taking “Art and Visual Perception” and “Visual Thinking” as the theoretical basis. The purpose is to bring a new theoretical perspective to the creation of Chinese landscape painting, and to bring a new perspective of analysis and understanding to the appreciation of Chinese landscape painting. The research method of case analysis is combined with the analysis and interpretation of Chinese landscape painting. Under the guidance of visual perception theory, the viewer can more accurately interpret the message conveyed by the work and understand the true intention that the creator wants to express.
%K 山水画，视知觉，阿恩海姆
Landscape Painting
%K Visual Perception
%K Arnheim
%U http://www.hanspub.org/journal/PaperInformation.aspx?PaperID=51061