%0 Journal Article
%T VIENNA IMPRESSIONS OF EVL£¿YA £¿ELEB£¿ AND HIS PERSPECTIVE TOWARD VISUAL ARTS
%A Adil Alper BAKICI
%J -
%D 2019
%X In this study, it was investigated what the visual arts called ¡®Freng-pesend¡¯ which were observed during Vienna journey of Evliya £¿elebi means to an Ottoman traveler. Furthermore, it was examined to what extent Evliya £¿elebi¡¯s perspective toward visual art was accepted within his own culture. Evliya £¿elebi provides some information with the depictions and stories about the visual art works of his age to his audience in some parts of his ¡®Book of Travels¡¯. Among all information, the European visual arts depicted as ¡®Freng-pesend¡¯ by Evliya £¿elebi which were observed during Evliya £¿elebi¡¯s Vienna trip occurred with a mission under the head of Kara Mehmed Pasha during peace period called ¡®dar-¨¹l sulh¡¯ by Evliya £¿elebi were included. Evliya £¿elebi defines the art works that he observed in Habsburg, which is an ¡®infidel¡¯ country to him, via comparison technique with the artists from his own society and their works. The common point of the texts is that they form within a belief framework. Evliya £¿elebi not only depicts these visual art works and mechanical development via the concepts ¡®acayip-¨¹l garaib¡¯ and ¡®Freng-pesend¡¯ but he also criticizes his own society having prejudices about the art. These texts are written in the contexts of ¡®real¡¯ and ¡®fiction¡¯ in the style of ¡®Book of Travels¡¯. The works that Evliya £¿elebi depicts were analyzed in the volumes published by Yap£¿ Kredi Publications in modern Turkish
%K Evliya £¿elebi Seyahatnamesi
%K Freng-pesend
%K ¨¹stad-£¿ kamil
%K resim
%U http://dergipark.org.tr/cutad/issue/46238/489476