%0 Journal Article
%T PERFORMANCE PRACTICE IN MOZART, BEETHOVEN AND SCHUBERT
%A Bar£¿£¿ L¨¹tfi B¨¹Y¨¹KYILDIRIM
%J -
%D 2019
%X In the world of classical music, we tend to see performances of Mozart, Beethoven and Schubert¡¯s music that favor, technical security and showmanship over creativity with musical passion, respect for the printed text over imagination. Even if students do something intuitively stylistically correct; they would find themselves surrounded by such criterium. Knowing that all these important composers were also great pianists, we tend to think about how they would interpret their own music and how they would prefer them to be interpreted by other performers? Purpose of this essay is, realizing the changes in performance traditions and also reviving the original aesthetics of the works by researching Mozart, Beethoven Schubert¡¯s music and encouraging students on how they can play the music of these masters with excitement and spontaneity while keeping their original intentions. Books and published articles of Malcolm Bilson who helped me and the music world immensely, and other names associated with the Performance Practice movement will be used to prove my thesis. Books of the period will give information about forgotten musical traditions like, articulation, phrasing, ornamentation, period instruments, editions and improvisation. I would like to prove that there is still great knowledge to be discovered in classical music and help students to read what really lies behind the notes
%K £¿cra Uygulamalar£¿
%K Performance Practice
%K Edisyonlar
%K Do£¿a£¿lama
%K Yorumculuk
%U http://dergipark.org.tr/smead/issue/47090/592220