%0 Journal Article
%T MODERNIST-SOCIALIST TURKISH POETRY
%A Bilgin G¨¹ng£¿r
%J -
%D 2019
%X We can say that there are three stages in the course of social-realism in Turkish literature. The first of these stages; what we call early-socialism. This stage is represented by the names of Abd¨¹laziz Mecd£¿ Tolun and Ya£¿ar Nezihe B¨¹k¨¹lmez in the last years of the Republic and the last years of the Constitution. This stage also includes propagandist poems with a narrow perspective from thematic and aesthetic perspectives. As a matter of fact, at this stage, it does not enter into any kind of observation scale except for poetry for socialism. The second stage; It is the stage that was carried by Naz£¿m Hikmet in the late 1920s and carried to the non-poetic genre with such names as Sabahattin Ali, Sadri Ertem, Hasan £¿zzettin Dinamo and R£¿fat Ilgaz. At this stage, which we call as advanced-socialism, socialist-realism expands its boundaries both aesthetically, thematically and genuinely. After the 1960s, socialist-realism appears to have acquired modernist and avant-garde opportunities with names such as Ismet Ozel, Ataol Behramoglu, Ahmet Telli, Nihat Behram, Sevgi Soysal, Erdal Oz, and so on. At this stage, which we call modernist-socialism; it can be seen that with the individual themes, abstract imagery, language deformation and modern narrative techniques are displayed. In other words; the possibility of socialist literature with modernist / avantgarde literature. In our study, we will examine the status of modernist-socialism in poetry. We will take a look at the important points of the modernist-socialist poem in terms of thematic and formal. But in doing so; we will move from a purely descriptive point of view to a point of view that touches on social / political / aesthetic ground
%K Toplumcu-ger£¿ek£¿ilik
%K modernist-toplumculuk
%K toplumcu £¿iir
%K T¨¹rk £¿iiri
%K T¨¹rk £¿airleri
%U http://dergipark.org.tr/mecmua/issue/44042/526369