%0 Journal Article
%T RABBITS¡¯ EYES VIEW, INVOLVING RABBITS: A DIFFERENT KIND OF BERLIN WALL DOCUMENTARY
%J -
%D 2019
%X This article focuses on Bartosz Konopka¡¯s documentary, Kr¨®lik po berlinsku (Rabbit ¨¢ la Berlin, 2009), which tells the story of the Berlin Wall in an unconventional way, that is, from a rabbit¡¯s perspective. By playing ironically with the conventions of historical and wildlife documentaries, by reframing and reprocessing archival footage according to a rabbit¡¯s point of view, and by creating transitions that prioritize a rabbit¡¯s gaze and movements, Rabbit ¨¢ la Berlin opens up a unique opportunity for a discussion of the conventional anthropocentrism of the documentary genre and the cinematic realm itself. In this regard, the article examines the distinctive generic, narrative, and formal arrangements of Rabbit ¨¢ la Berlin, which develop possibilities and capabilities beyond anthropocentrism. It lays out a discussion of the regimes of visibility that apply to animals and animal representations in cinema and contributes to the evolution of film studies into a vaster field, unconfined to a single species
%K Hayvan temsili
%K sinema
%K belgesel
%K insan merkezlilik
%K Berlin Duvar£¿
%U http://dergipark.org.tr/sinecine/issue/44218/545769