%0 Journal Article
%T Beyond Practice: Tar£¿k Bu£¿ra's Thoughts on Art and Criticism
%A Bilgin G¨¹NG£¿R
%J -
%D 2018
%X Tar£¿k Bu£¿ra, one of the leading writers of the Republic period; he is known for writing in such areas as novels, stories and criticism. In addition to these, he also concentrated on the issues of art and criticism and shared his ideas with his readers. Bu£¿ra in articles, interviews, interviews he has written on various dates; he questioned both the current and universal dimensions of art and criticism and made extremely important determinations. Bu£¿ra's art perception; in a way, it displays an opening towards the individual, the aesthetic and the relative reality; Thus, the perception in question gains concreteness in the relation of both intimacy and opposition with the ideological and rigid realistic concept of art. This c£¿ dual ¡°art perception of the bourgeoisie is essentially a¡± bonding £¿n aestheticism; in other words, it implies a ¡°middle way¡± between ¡°bonding bir and esthetism. But the aesthetic for Bu£¿ra, in the final analysis is dominant. In the framework of criticism, the articulation of boube does not offer a ¡¯meaningful union E; they are on the disjoint axis. These can be summarized as follows: The function of criticism for Bugra; to be able to determine the aesthetic side of the work, to solve his eri passwords yan to gain a meaning around. For a critical criticism, literary accumulation must be taken along with even more objectivity. The fact that the artist and the critic are broadly within the boundaries of bir tolerance ele£¿tir corresponds to another point that Bu£¿ra points to in the name of a qualified criticism. Finally; Bu£¿ra expands the limit of criticism; It also shows an institutionalization (award jury and similar mechanisms)
%K Tar£¿k Bu£¿ra
%K sanat
%K edebiyat
%K ele£¿tiri
%K kuram
%U http://dergipark.org.tr/kulturder/issue/41118/486266