%0 Journal Article
%T GHAR¨¡N¨¡S AS A REFERENCE MODEL FROM TRADITIONAL IN NORTHERN INDIAN MUSIC
%A Mevhibe Fidan / Prof. Dr. H. Alper Do£¿an / Maral
%J -
%D 2019
%X Ghar¨¡n¨¡ is a concept pointing to the main paths and institutions of Indian music traditions bridging generations and identities not only through transferring musical information and tasks, but also the supporting/embracing moral, wisdom and ethics, as well. An untranslatable term, for sure, due to its capacity reflecting much more than an ¨¦cole, plain school of music, but also some kinship, identity, and a chain of cultural, even pseudo-religious, belonging. While ¡°extra-musical¡± idioms such as philosophic, ethic, social, ¡­ qualities do surround, establish and form the music, reflected intensely by the meta-concept Ghar¨¡n¨¡, thus is studied painstakingly and taken as a valuable, reputable institution¡ªa reference, and even a model to be considered¡ªalso by other musical traditions. This short study tries to sum up the main qualities, specifications and characteristics of the given concept while giving first a brief historical and etymological frame, then reflecting the processes of respective change and, consequently question the capacity of serving as a model for other musical cultures
%K Ghar¨¡n¨¡
%K Hindistan
%K m¨¹zik gelene£¿i
%K emprovizasyon
%K e£¿itim
%K India
%K traditional music
%K improvisation
%K education
%U http://dergipark.org.tr/toplumsalbilimler/issue/45438/565218