%0 Journal Article
%T Lo scarto visuale e il supplemento dell¡¯immagine: le £¿scritture di luce£¿ del campo di concentramento di Mauthausen
%A Renato Boccali
%J -
%D 2018
%R http://dx.doi.org/10.13128/Aisthesis-23408
%X The aims of the present paper is to analyse the specific visual regime of some never-before-exhibited photographs displayed at the photographic exhibition organised for the 60th anniversary of the Liberation of Mauthausen camp in 2005. I will proceed accordingly to a three steps process. First of all, I will try to show how photographs can be considered as a form of writing, namely a ¡°light writing¡±. I will then provide a general overview of the catalogue of the exhibition but through a decomposition and reassembly of the photographic images, trying to work for a decentralization of the gaze beyond the documentary value of these photographs. Finally, I will draw some conclusions, proposing further reflections on photography as ¡°trace¡± and ¡°supplement¡± of the visible
%U http://www.fupress.net/index.php/aisthesis/article/view/23408