%0 Journal Article
%T A prop車sito del ramonismo de Francisco Ayala. Evoluci車n del vanguardismo a la m赤mesis
%A Germana Volpe
%J -
%D 2018
%R DOI Code: 10.1285/i22390359v26p377
%X The essay aims to highlight and illustrate, through some examples, the way the influence of Ram車n G車mez de la Serna shows in Francisco Ayala＊s short-stories belonging to his Avant-garde period. Despite their profound differences in personality, during the years 1927-1930, Ayala experimented the new way of writing inspired by the ramonian greguer赤as (as well as by the dehumanized art of Ortega y Gasset). For this reason, this article tries to point out similarities and differences between the two authors. In particular, in collections such as El boxeador y un 芍ngel and Cazador en el alba, Ayala uses plenty of images and metaphors that take the greguer赤as and the experimental art as a model. What the two authors have in common lies in an unconventional point of view, in describing impressions and sensations, in elevating trivial things and objects to a literary category. Nevertheless, it must be noted that the Avant-garde period was only a phase (though important) in Ayala＊s literary evolution, while G車mez de la Serna never ceased to embody that attitude; thus the main difference between them consists in their personalities and in a partial (on Ayala＊s side) or a total (on Ram車n＊s side) adhesion to the Avant-garde literary expression
%K Ayala
%K G車mez de la Serna
%K Avant-garde
%K Ortega y Gasset
%K ※deshumanizaci車n del arte§.
%U http://siba-ese.unisalento.it/index.php/linguelinguaggi/article/view/17663