%0 Journal Article
%T ¡°Give and Take¡±: Representations of the Post-socialist ¡°New Bourgeoisie¡± in Music Videos
%A Daniel
%A Ond£¿ej
%J -
%D 2018
%R 10.15176/vol55no104
%X Sa£¿etak This article explores the critical question of how music videos portrayed the ¡°new bourgeoisie¡± in early post-socialist music videos. Additionally, it tackles two side issues: the depiction of criminal groups and foreign countries. Unlike the ¡°new class¡±, post-socialist new bourgeoisie emerged as a class that was entirely economically defined by its own material interests. Several values attributable to post-socialist ¡°new bourgeoisie¡± can be discerned from the music videos: an interplay of ambitions and hedonism, cosmopolitanism as well as of patriotic narratives, and the aspiration of the new bourgeoisie to assert its culturedness vis-¨¤-vis the ¡°intelligentsia¡±
%K class
%K post-socialism
%K new bourgeoisie
%K music videos
%K pop music
%U https://hrcak.srce.hr/index.php?show=clanak&id_clanak_jezik=297343