%0 Journal Article
%T Imagining between possible and realized: Creative world
%A John Paul Catungal
%J Dialogues in Human Geography
%@ 2043-8214
%D 2019
%R 10.1177/2043820619850268
%X In this rejoinder to Dragos Simandan¡¯s (2019) consolidated theory of the partiality of geographical knowledge, I draw on feminisms of colour, including Black and Chicanx feminisms, to re-place power at the heart of how we understand the situatedness and limitations of how we know, experience and produce worlds. Furthermore, dissatisfied with Simandan¡¯s binary construction of ¡®possible worlds¡¯ (in plural) and the ¡®realized world¡¯ (in singular), and his call to move beyond ¡®simply social difference¡¯ (my emphasis) in how we theorize the partiality of geographical knowledge, I centre creative practices by marginalized people as practices that conjoin navigating the unjust ¡®real¡¯ world and imagining different, more just worlds. The artistic works of Cree/Irish artist Kent Monkman provide powerful examples of art as geographical knowledge that makes room both for critiques of the gender, racial and sexual violence of settler colonial world-making and for the agentive production of alternate worlds by Indigenous people, including through their creative practices
%K art
%K creativity
%K feminist geography
%K knowledge production
%K power
%U https://journals.sagepub.com/doi/full/10.1177/2043820619850268