%0 Journal Article
%T Shakespeare¡¯s new contemporariness, or Hamlet in the Yugoslav Drama Theatre of the 21st century
%A Alexandra Portmann
%J Cahiers ¨¦lisab¨¦thains
%@ 2054-4715
%D 2018
%R 10.1177/0184767818763427
%X This article investigates how Shakespeare¡¯s Hamlet has become a platform for negotiating memory politics in Serbia in the new millennium. Focusing on two productions in Belgrade¡¯s Yugoslav Drama Theatre since 2005 (Du£¿an Jovanovi£¿, 2005 and Aleksandar Popovski, 2016) and one adaptation, Cirkus istorija (Sonja Vuki£¿evi£¿, 2006), the specific conditions for each of the productions¡¯ actualization are investigated. Through a discussion of these Hamlet productions, the analysis reveals the ways in which the repeated staging of classical dramatic texts, with each production embedded within a specific staging tradition, becomes a renewed source of inspiration for political theatre
%K Shakespeare in performance
%K Hamlet
%K adaptation
%K Jan Kott
%K memory politics
%K Shakespeare ¨¤ la sc¨¨ne
%K Hamlet
%K adaptation
%K Jan Kott
%K politique de la m¨¦moire
%U https://journals.sagepub.com/doi/full/10.1177/0184767818763427