%0 Journal Article
%T Ranci¨¨re and the re
%A Divya P. Tolia-Kelly
%J Progress in Human Geography
%@ 1477-0288
%D 2019
%R 10.1177/0309132517739141
%X Through aesthetics we can articulate affective politics and demonstrate new ways of ¡®doing¡¯ progressive politics. This article explores the politics and practice of dissensus within the museum with artist Rosanna Raymond. The article argues that the museum space, when critiqued through a postcolonial perspective and artistic practice, can be a vehicle for political change. Using Ranciere¡¯s account of ¡®politics¡¯, the article outlines how a ¡®redistribution of the sensible¡¯ might be possible, one that that is inclusive of Maori space-time, self-determined cultural values and geoaesthetics
%K dissensus
%K museum
%K postcolonial
%K Ranci¨¨re
%K Rosanna Raymond
%K sensibilities
%U https://journals.sagepub.com/doi/full/10.1177/0309132517739141