%0 Journal Article
%T 论“天下主义”在宋代山水画中的审美呈现<br>Tianxia Doctrine： Aesthetic Appreciation of Ideology Function in Landscape Paintings of the Song Dynasty
%A 喻　颖　李御娇
%J 华中师范大学报（人文社会科学版）
%D 2018
%X 摘要 由“天”衍生而来的“天下”概念是地理、心理和社会制度三种意义的有机统一，它作为中国古代思想观念的知识框架是一种先验性的价值观；“天下”具有文化上的超越维度和政治上的现实维度，由此演变为一种作为意识形态的“天下主义”。“天下主义”以审美的方式在宋代山水画中呈现出来，“三远”法的构图结构是“天下主义”在山水画中的呈现形式；体现了政治伦理结构的审美意象布局，则是“天下主义”在宋代山水画中呈现出来的结构体系；虚实关系以审美化的方式呈现出“天下”，烟云、流水以及留白手法是宋代山水画常用的艺术手段。<br>Abstract：The concept of “Tianxia” derived from “Tian” is the organic unity of the three meanings of geography， psychology and social system. It is a transcendental value of integrity as the knowledge framework of ancient Chinese concept of thought. “Tianxia” has both cultural transcendence dimension and political reality dimension，and thus evolves into Tianxia Doctrine as an ideology and formes a trinity structure. Tianxia Doctrine is presented in an aesthetic way in the landscape paintings of the Song dynasty.The compositional structure with the “Three Farness” as its core is the presentation form of Tianxia Doctrine in the landscape paintings. The aesthetic image layout which reflects the structure of political ethics，is the structural system of Tianxia Doctrine presented in the landscape paintings. “Tianxia” is presented in the relationship between vacuity and reality in the landscape paintings in an aesthetic way，and cloud， water and negative space are commonly art methods used.
%U http://journal.ccnu.edu.cn/sk/CN/abstract/abstract5712.shtml