%0 Journal Article
%T 现代性批判：从阿多诺马尔库塞到哈贝马斯 ――试论法兰克福学派现代性批判的三个维度<br>Modernity Criticism:From Adorno and Marcuse to Habermas ―Three Dimensions of the Frank School′s Critical Theory of Modernity
%A 邱根江
%J 西安交通大学学报（社会科学版）
%D 2015
%R 10.15896/j.xjtuskxb.201506015
%X 从阿多诺、马尔库塞以及哈贝马斯的现代性批判思想出发，探讨了法兰克福学派现代性批判的三个维度，其一是现代性视域中艺术的娱乐化批判；其二是现代性视域中的技术合理性批判；其三是现代性视域中的生活世界的殖民化批判。<br>This essay, in the view of the modernity criticism theory proposed from Adorno and Marcuse to Habermas, explores the modernity criticism of the Frankfort School from the following three aspects: the criticism of the art entertainment, the criticism of the technology rationality, and the criticism of the colonization of the modern life world
%K 法兰克福学派
%K 现代性
%K 艺术娱乐化批判
%K 技术合理性批判
%K 生活世界殖民化批判&lt
%K br&gt
%K Frankfort School
%K Modernity
%K criticism of the art entertainment
%K criticism of the technology rationality
%K criticism of the colonization of the life world
%U http://skxb.xjtu.edu.cn/oa/DArticle.aspx?type=view&id=201506015