%0 Journal Article
%T 唐末五代书法审美精神的转变及过渡特色<br>Primary Ideological Trend and Transition Characteristic of Calligraphy in Late Tang Dynasty and Wudai Dynasty
%A 王明
%A 冀瑾
%J 西安交通大学学报（社会科学版）
%D 2016
%R 10.15896/j.xjtuskxb.201602019
%X 唐末五代是唐、宋两大书法高峰之间的过渡期，从唐代的森严法度到宋代的意象追寻，唐末五代的过渡作用是不该忽视的。“崇神尚法”观在对唐代书法传统的眷恋中日益失落。“萧散高远”成为乱世书家共同审美理想的同时，中唐以来的怀素、高闲等狂草书僧受到乱世书家最普遍的膜拜。行草书作为唐末五代书法的主体，成为由唐到宋过渡的桥梁和纽带。独具一格的五代敦煌牒状写本书法成为唐宋之际过渡时期的一大亮点。<br>The period Wudai Dynasty which existed after Late Tang Dynasty is seen as a transitional time between the peaks of both Tang Dynasty and Song Dynasty in calligraphy because the ideological trend of calligraphy in this period is very special which witnessed the transition from heavily fortified testimonies in Tang Dynasty to the pursuit of image in Song Dynasty, so it should not be ignored. During this period, the view on God worship and law uphold was declining in spite of the missing to the calligraphy tradition in Tang Dynasty. Instead, sparse and untrammeled but graceful calligraphy became a popular aesthetic pursuit to calligraphers in that time, so Huaisu and Gaoxian who were good at cursive calligraphy were worshipped in the mid-Tang Dynasty. Cursive calligraphy became the main part of calligraphy in the period of Late Tang and Wudai Dynasty and served as a link from Tang Dynasty to Song Dynasty. Small pages of DunHuang Calligraphy is a unique style in Wudai Dynasty which became a bright spot in the transition period from Tang Dynasty to Song Dynasty
%K 唐末五代
%K 书法
%K 审美精神
%K 过渡特色&lt
%K br&gt
%K Late Tang Dynasty and Wudai Dynasty
%K calligraphy
%K aesthetics spirit
%K transition characteristic
%U http://skxb.xjtu.edu.cn/oa/DArticle.aspx?type=view&id=201602019