%0 Journal Article
%T 宋代无名氏词中的孤调及其词史意义
%A 刘尊明
%J 南京师范大学学报(社会科学版)
%D 2017
%X 宋代无名氏词中的孤调，主要有三种类型：采自民间的新声之调；赋咏本调的创始之调；歌舞相兼的歌舞剧曲。这些孤调的形成，既跟宫廷大曲与杂曲的局限性有关，也受到民间词曲艺术水准的限制。宋代无名氏词孤调的词史意义主要表现在两大方面：一是创制了一批形式多样的歌舞剧曲，二是反映了民间词曲创作的活跃状态和本真风貌。</br>The exclusive tune patterns written by anonymous poets in the Song Dynasty can be divided intothree categories：the tunes derived from folk songs；newly created ones；those borrowed from singing anddancing performances. The formation of the exclusive tune patterns was influenced by the limitations in daqu大曲（ literally big suite） in the court and zaqu 杂曲 （literally miscellaneous melodies） and restricted by theartistic quality of folk poems and songs. The historical significance of the exclusive tune patterns in the ci poemsby anonymous poets in the Song Dynasty includes the following two aspects：on the one hand，they created abatch of singing and dancing performances in various forms；on the other，they reflected the active creation andtrue style of folk songs and poems
%K 宋代
%K 无名氏
%K 词调
%K 孤调
%K 词史意义&lt
%K /br&gt
%K Song Dynasty
%K anonymous poets
%K tune pattern
%K exclusive tune pattern
%K significance in the cihistory
%U http://njsfdxskb.paperonce.org//oa/darticle.aspx?type=view&id=201706014