%0 Journal Article
%T 王昌龄以“意”为中心的创作论及其唯识学渊源
%A 蔡宗齐
%J 复旦学报(社会科学版)
%D 2017
%X 本文集中讨论王昌龄诗学研究中两个紧密相关、尚待探索的重要课题:一是王氏《论文意》中多义的“意”所隐藏的系统文学创作理论,二是王氏“意”与唯识八识的“意”、“意识”的内在关联。为了破解“意”的多重意义,笔者首先从上下文来揣摩、判断“意”的不同指涉,然后在一个更广泛的哲学、美学背景下,分析王氏如何从佛、道两家“意”的角度来观察创作过程的不同阶段以及它们之间的关系,并作了充分阐述。本文还对王氏的“意”和唯识八识的“意”、“意识”进行了平行比较,发现后者很可能为王氏提供了观察文学创作过程的新视角,帮助他改造陆机和刘勰“意-象-言”说,在意和象之间加入“境”而建构起“意-境-象-言”的新框架,从而发展出自己独特的、带有明显佛教风格的文学创作论。</br>Abstract：This paper explores the polysemy of the term yi (意) in Wang Changling's (ca.698-ca.756) writings on poetry and reconstructs his comprehensive theory of literary creation. It demonstrates how Wang deftly appropriates yi from diverse philosophical sources to illuminate different phases of literary creation. Looking into a hitherto neglected Buddhist source, it uncovers a Buddhicized “yi-jing-xiang-yan” (意-境-象-言) paradigm, one that allows Wang to move beyond the theories of Lu Ji (261-303) and Liu Xie (ca.465-ca.522). Borrowing the Buddhist terms of yi and yishi (意识), Wang examines the creative mind's receptivity to the richness and nuances of the world, followed by its dynamic transformation of what it has absorbed in quietude. The result is a much more detailed view of the different phases of the creative process—one that leads to a new appreciation of its poetic results.
%K 王昌龄诗学
%K 《论文意》
%K 唯识宗与诗学
%K 唐代诗学
%K 意与书论
%K 意与诗论&lt
%K /br&gt
%K Wang Changling's poetic theory
%K Consciousness-only Buddhism and Chinese poetics
%K Tang poetics
%K yi in calligraphy theory
%K yi in poetic theory
%U http://www.fdwkxb.fudan.edu.cn/CN/abstract/abstract2196.shtml