%0 Journal Article
%T The Art Requisitions by the French under Napol¨¦on and the Detachment of Frescoes in Rome, with an Emphasis on Raphael
%A Cathleen Hoeniger
%J CeROArt : Conservation, Exposition, Restauration d'Objets d'Art
%D 2012
%I CeROArt
%X La restauration des peintures italiennes du Louvre, apr¨¨s les spoliations napol¨¦oniennes, a re u une attention consid¨¦rable. Cependant, la volont¨¦ simultan¨¦e des Fran ais de d¨¦tacher les fresques ¨¤ Rome a peu ¨¦t¨¦ ¨¦tudi¨¦e, alors m¨ºme que le d¨¦sir de s¡¯approprier les peintures de Rapha l les avait conduit ¨¤ projeter l'extraction de ses fresques au Vatican. Le transfert des retables de Rapha l ¨¤ Paris et le d¨¦tachement de fresques par les disciples proches de Rapha l et de Michel-Ange ¨¤ Rome sont mis en parall¨¨le dans ce texte, et ¨¦clair¨¦s ¨¤ la lumi¨¨re des innovations scientifiques et technologiques. La d¨¦termination des Fran ais, peu exp¨¦riment¨¦s, ¨¤ prendre des risques substantiels contraste avec le conservatisme prudent de restaurateurs italiens. Un accent particulier sera mis sur la participation de Palmaroli dans le d¨¦tachement et la restauration de la c¨¦l¨¨bre D¨¦position de Daniele da Volterra. The restoration of Italian paintings at the Louvre, after their confiscation by Napoleon¡¯s deputies, has received considerable attention; however, the concurrent preoccupation of the French in Rome with the detachment of frescoes has been little studied, even though the desire for Raphael¡¯s art led some to plan the extraction of his Stanze frescoes. In this essay, the parallel practices of the transfer method on Raphael¡¯s altarpieces in Paris and the detachment of frescoes by close followers of Raphael and Michelangelo in Rome will be explored in light of the innovations of the age in science and technology. The willingness of the relatively inexperienced French to take substantial risks will be contrasted with the more cautious conservatism of Italian restorers, and special focus will be placed on Palmaroli¡¯s involvement in the detachment and restoration of Daniele da Volterra¡¯s famous Deposition.
%K Raphael
%K transfer
%K Napoleon
%K Fresco
%K detachment
%K Rome
%K Palmaroli
%K mechanical arts
%K French Enlightenment
%K fresque
%K Rapha l
%K Napol¨¦on
%K D¨¦pose
%K Rome
%K Palmaroli
%K transfert
%K arts m¨¦caniques
%K Lumi¨¨res
%U http://ceroart.revues.org/2367