%0 Journal Article
%T Subjectivit¨¦ et objectivit¨¦ dans la m¨¦lodie fran aise des XIXe et XXe si¨¨cles
%A Alain Corbellari
%J Cahiers de Narratologie
%D 2011
%I CIRCPLES
%R 10.4000/narratologie.6485
%X On pr¨¦sente ici une tr¨¨s br¨¨ve histoire de la mise en musique de la po¨¦sie fran aise en se focalisant sur la p¨¦riode 1850-1950 qui repr¨¦sente   l¡¯age d¡¯or   de la   m¨¦lodie fran aise  , genre pris entre les deux p les de la subjectivit¨¦ (attention extr¨ºme ¨¤ la lettre du texte) et de l¡¯objectivit¨¦ (pr¨¦¨¦minence des structures musicales), tension qui peut ¨ºtre vue comme la rencontre entre deux narrativit¨¦s concurrentes. We present here a very brief history of the musical setting of French poetry by focusing on the period 1850-1950, which represents the ¡°golden age¡± of the ¡°French Song¡±, a genre caught between the poles of subjectivity (extreme attention to the letter of the text) and objectivity (predominance of musical structures). This tension between textual and musical constraints in the melodic configurations can be seen as an encounter between two competing narrativities.
%K subjectivit¨¦
%K narrativit¨¦
%K m¨¦lodie
%K objectivit¨¦
%K culture fran aise
%U http://narratologie.revues.org/6485