%0 Journal Article
%T Les fonctions sociales du cin¨¦ma selon Emmanuel Bove The social functions of cinema according to Emmanuel Bove
%A Christophe Trebuil
%J Conserveries M¨¦morielles : Revue Transdisciplinaire de Jeunes Chercheurs
%D 2012
%I Conserveries M¨¦morielles
%X Durant l¡¯entre-deux-guerres, Emmanuel Bove ¨¦crit des romans dans lesquels le cin¨¦ma est pr¨¦sent sous de multiples formes. De la salle de cin¨¦ma de quartier aux portraits d¡¯acteurs ¨¦pingl¨¦s aux murs, l¡¯univers cin¨¦matographique s¡¯inscrit dans des lieux et des communaut¨¦s : comme le caf¨¦ ou la rue, la salle de cin¨¦ma est associ¨¦e ¨¤ des activit¨¦s p¨¦riodiques ; les diff¨¦rentes repr¨¦sentations des interpr¨¨tes envahissent autant l¡¯espace urbain que l¡¯intimit¨¦ de chacun. Loin d¡¯¨ºtre un artefact plaqu¨¦ sur la fiction, le cin¨¦ma est, pour Bove, ins¨¦parable de la vie telle qu¡¯il la con oit dans ses romans. During the interwar years, Emmanuel Bove writes novels which depict cinema in many forms. From local cinema to actors¡¯ pictures pinned on the walls, the cinematographic world is part of places and communities: as the caf¨¦ or the street, the movie theatre is associated with periodical activities; the different representations of the players invade as much the urban area as the private life. For Bove, cinema, far from being an artefact in fiction, cannot be separated from of the life.
%K cinema
%K literature
%K social history
%K cin¨¦ma
%K litt¨¦rature
%K histoire sociale
%K France
%K Entre-deux-guerres
%U http://cm.revues.org/1200