%0 Journal Article
%T T¨ºnues limites entre o cinema document¨¢rio e ficcional. O exemplo de O Mist¨¦rio de Picasso
%A Soleni Biscouto Fressato
%J Doc On-Line : Revista Digital de Cinema Document¨¢rio
%D 2011
%I Universidade da Beira Interior, Portugal (UBI) & Universidade Estadual de Campinas, Brasil (UNICAMP)
%X From the invention of the cinema, two big potentialities configured : thecinema while reproduction of the real with the Lumi¨¨re and the illusionistic cinema and fantasioso of Georges M¨¦li¨¨s. In the large majority of the cases these two big genders ¨C documentary and fictional ¨C are analysed like divergent. From the analysis of the film The Mystery of Picasso (Henri-Georges Clouzot, 1956), the aim of the present article is to analyse the possibility of synthesis between the two genders.
%K art
%K cinema documentary
%K cinema fictional.
%U http://www.doc.ubi.pt/10/dossier_soleni_fressato.pdf