%0 Journal Article
%T Bucevschi¡¯s Portraiture
%A Oana Hrisca
%J DOCT-US
%D 2011
%I 
%X Epaminoda Bucevschi was a painter who approached, with more or less success, numerous plastic topics. Even if a part of his plastic activity adopted an academic shape, sometimes impersonal, and Bucevschi lost his creation¡¯s identity in the immense mass of the international academic field, a great part of his talent ¡°brings improvement to the aboriginal iconographic repertoire and, most of all, in the successive portraits of certain personalities of the time.3¡± His paint brush oscillated between the religious painting subjected many times to the spatial limits given by the fix surfaces (panels from iconostases, monumental parietal surfaces of different shapes ¨C circular, rectangular, rhombic ¨C etc.) and laic painting of easel. The artistic destiny carried Bucevschi far from the quartering within a singular topic, did not form a style, he followed his endowment, painting both portraits, religious or allegoric compositions, landscapes or genre paintings.
%K Epaminonda Bucevschi
%K portrait
%K art history
%U http://doct-us.usv.ro/article/view/138