%0 Journal Article
%T Shadows of Shadows: Techniques of Ambiguity in Three Film Adaptations of ¡°The Turn of the Screw¡±: Jack Clayton¡¯s The Innocents (1961), Dan Curtis¡¯s The Turn of the Screw (1974), and Antonio Aloy¡¯s Presence of Mind (1999)
%A Dennis TREDY
%J E-rea : Revue ¨¦lectronique d¡¯¨¦tudes sur le Monde Anglophone
%D 2007
%I 
%R 10.4000/erea.196
%X Of all the tales of Henry James, none has been the subject of more adaptations into feature films or teleplays than what the author called his ¡°sinister¡± little ¡°excursion into chaos¡±, ¡°The Turn of the Screw¡± (Literary CriticismII 1183-4). In the last half-century there have been nearly a dozen such adaptations in English, not to mention numerous foreign language films, several versions of Benjamin Britten¡¯s own operatic adaptation, and scores of theatrical transpositions of the novella. Our ...
%U http://erea.revues.org/196