%0 Journal Article
%T The Colors and the Spinozist Bodies of Michelangelo Antonioni¡¯s L¡¯avventura
%A Erik£¿S. RORABACK
%J E-rea : Revue ¨¦lectronique d¡¯¨¦tudes sur le Monde Anglophone
%D 2005
%I 
%R 10.4000/erea.620
%X In this paper I shall profile some of the major contours of the philosophically and cinematically revolutionary qualities of one of Michelangelo Antonioni¡¯s (1912-present) finest films, L¡¯avventura (The Adventure or The Fling 1959), particularly in regard to the colors of the negative, which is to say the unthought, and in the Spinozist nature of the movie¡¯s critique of the post-modern body and of gender. Antonioni has described the making of L¡¯avventura as his most intense cinematic encounte...
%U http://erea.revues.org/620