%0 Journal Article
%T Hitchcock entre Zizek y Arist車teles
%A Julio Cabrera
%J Signos filos車ficos
%D 2002
%I Universidad Aut車noma Metropolitana-Iztapalapa
%X Resumen: Este ensayo presenta un conjunto de categor赤as para analizar conceptualmente las im芍genes de una pel赤cula, y las aplica despu谷s sobre la pel赤cula V谷rtigo, de Alfred Hitchcock, a la que se interpreta como un concepto-imagen de la inverosimilitud de lo real. A 谷sta se enfrenta una interpretaci車n lacaniana del mismo filme, presentada por Slavoj Zizek. El objetivo principal del trabajo consiste en mostrar la plausibilidad de interpretaciones diversas sobre el mismo objeto f赤lmico, lo que trae nuevos esclarecimientos sobre la propia noci車n de concepto-imagen. Abstract: In this paper I manage a set of categories and intended to integrate them as a method to analyze film images in a conceptual level. I try an application of this methodological tool in the particular case of Alfred Hitchcock＊s Vertigo, which I consider as an image-concept of the untruthful character of reality. Another interpretation of the same film guided by lacanian categories, is advanced by Slavoj Zizec. My aim is to point at very different interpretations, however disparate their approaches and methodologies, as being plausible and illuminating when applied to the same film. This result should say something deep about the very notion of image-concept in the analysis of movies from a philosophical viewpoint.
%K cine
%K concepto
%K imagen
%K logopat赤a
%K afectivizaci車n
%K verosimilitud
%U http://148.206.53.230/revistasuam/signosfilosoficos/include/getdoc.php?id=309&article=196&mode=pdf