%0 Journal Article
%T Fenomenolog¨ªa y hermen¨¦utica a prop¨®sito de Paul Celan
%A Evodio Escalante
%J Signos filos¨®ficos
%D 2002
%I Universidad Aut¨®noma Metropolitana-Iztapalapa
%X Resumen: Hans-Georg Gadamer, en  Qui¨¦n soy yo y qui¨¦n eres t¨²? Comentario a Cristal de aliento de Paul Celan, extrae un principio hermen¨¦utico fundamental: una interpretaci¨®n s¨®lo es correcta cuando al final es capaz de desaparecer porque ha penetrado del todo en la nueva experiencia del poema. Esto hace pensar en la hermen¨¦utica como una ciencia preparatoria cuya tarea es conducirnos al umbral del poema, de modo tal que, al penetrar en ¨¦l, podamos vivir sin obst¨¢culos y del modo m¨¢s pleno posible la experiencia de suyo espec¨ªfica. Tener un o¨ªdo po¨¦tico no siempre es o¨ªr m¨¢s, puede ser tambi¨¦n una disminuci¨®n de la escucha. Celan sostiene que el poema absoluto no existe, y no puede existir, pero hay en todos ellos esa pretensi¨®n inaudita de ser lo que no puede ser. Abstract: Hans-George Gadamer, in Who am I and who are you? Commentary to Cristal de aliento of Paul Celan, extracts a fundamental hermeneutical principle: an interpretation is correct just when it is capable to dissapear at the end because it has penetrated the whole in the new experience of the poem. This make us think in hermeneutic as a preparatory science whose work is to lead us to the doorsill of the poem, in such a way that, once having penetrated into him, we could live without obstacles and live the specific experience as most complete as possible. To have a poetic hearing is not always to hear more, it could also be a diminution of the listening. Celan says that the absolute poem does not and cannot exist, but in it there is an inconceivable pretension of being what it cannot be.
%K fenomenolog¨ªa
%K hermen¨¦utica
%K valor de uso
%K valor de cambio
%K sentido
%K reconstrucci¨®n
%U http://148.206.53.230/revistasuam/signosfilosoficos/include/getdoc.php?id=207&article=192&mode=pdf