%0 Journal Article
%T Filosof¨ªa y poes¨ªa en el pensamiento de Mar¨ªa Zambrano
%A Mar¨ªa Antonia Gonz¨¢lez Valerio
%J Signos filos¨®ficos
%D 2003
%I Universidad Aut¨®noma Metropolitana-Iztapalapa
%X Resumen: Con el nacimiento de la filosof¨ªa se han establecido diversas relaciones con la poes¨ªa, a veces m¨¢s tirantes, en ocasiones m¨¢s cercanas, a veces casi de un completo olvido. En Grecia se instaur¨® la condena de la poes¨ªa: desde la llamada crisis de la raz¨®n se volvi¨® indispensable replantear y repensar las relaciones entre filosof¨ªa y poes¨ªa. En este camino colmado de incertidumbre, pero sobre todo de anhelo de encontrarse, la filosof¨ªa se neg¨® a voltear la mirada hacia la ciencia como ¨²nica fuente de certidumbre y de certeza y se atrevi¨®, m¨¢s bien, a descender al abismo y a dialogar con la poes¨ªa, puesto que buscar¨ªa ahora en ¨¦sta, y en las artes, su re-encuentro consigo misma e incluso su re-fundaci¨®n. En el mismo sentido que Friedrich Nietzsche, Martin Heidegger y Hans-Georg Gadamer, Mar¨ªa Zambrano elabora una lectura cr¨ªtica de la tradici¨®n filos¨®fica a partir de su postulado de la raz¨®n po¨¦tica. Mar¨ªa Zambrano considera a la filosof¨ªa y a la poes¨ªa como dos mitades del hombre, dos mitades en enfrentamiento constante. Dos mitades que, pareciera, anuncian la totalidad del ser humano y que se vislumbra, quiz¨¢, inalcanzable; una totalidad que recuerda al Eros plat¨®nico de El banquete, al S¨®crates m¨²sico de Nietzsche. Abstract: Since its beginning, philosophy has established various relationships with poetry which are sometimes strained, at times less so and sometimes almost from complete oblivion. From Greece poetry started to be denounced: however, from the so-called crisis of reason it became essential to reopen and to rethink the relationship between philosophy and poetry. In this uncertain trajectory, but especially due to the desire to find such a relation, philosophy refused to look toward science as the only source of certainty and conviction and it dared, rather, to descend into the abyss and to dialogue with poetry. From now on it would seek, in poetry and in the arts, a way of finding itself again and even reestablishing its foundation. In the same way as Friedrich Nietzsche, Martin Heidegger and Hans-Georg Gadamer, Mar¨ªa Zambrano produces a critical reading of the philosophical tradition starting from her hypothesis of poetic reason. Mar¨ªa Zambrano considers philosophy and poetry to be two halves of man, two halves in constant confrontation. Two halves which, it would seem, announce the totality of the human being and which is glimpsed, perhaps, as being unattainable; a totality which recalls the platonic Eros in The Banquet and Nietzsche¡¯s musical Socrates.
%K filosof¨ªa
%K poes¨ªa
%K unidad
%K enfrentamiento
%K reconciliaci¨®n
%U http://148.206.53.230/revistasuam/signosfilosoficos/include/getdoc.php?id=230&article=217&mode=pdf