%0 Journal Article
%T Ethos et fable auctoriale dans les autofictions contemporaines ou comment s¡¯inventer ¨¦crivain Ethos and authorial fable in contemporary autofictions, or the invention of the writer by himself
%A Sylvie Ducas
%J Argumentation et Analyse du Discours
%D 2009
%I University of Tel-Aviv
%X Depuis les ann¨¦es 1980, la litt¨¦rature fran aise est le th¨¦atre d¡¯un retour en force de r¨¦cits de filiation et d¡¯autofictions dans lesquels se met en sc¨¨ne une figure d¡¯auteur in¨¦dite qui se raconte. Fond¨¦e sur les  uvres de Pierre Michon et Jean Rouaud, cette ¨¦tude s¡¯inscrit dans une r¨¦flexion sur la construction identitaire de l¡¯¨¦crivain fran ais dans son rapport ¨¤ l¡¯¨¦criture et au champ litt¨¦raire contemporain. Elle vise ¨¤ montrer pourquoi et comment l¡¯ethos est une donn¨¦e fondamentale de la l¨¦gitimation et de l¡¯invention de soi comme ¨¦crivain. Since the 80¡¯s, French literature has been the theater of a strong return of filiation and self-fiction stories, in which the original figure of an author is telling about himself. Based on the works of Pierre Michon and Jean Rouaud, this study is part of a reflection about the identity construction of the French author in his relation with writing and with the contemporary literary field. Its aim is to show why and how ethos is a fundamental constituent of the author¡¯s legitimacy and self invention.
%K identity
%K author
%K filiation
%K self-fiction
%K illegitimacy
%K attitude
%K invention
%K identit¨¦
%K filiation
%K autofiction
%K ill¨¦gitimit¨¦
%K posture
%K invention
%K auteur
%U http://aad.revues.org/669