%0 Journal Article
%T Pour une m¨¦thodologie inter-dimensionnelle
%A Bernard Mi¨¨ge
%J Revue Fran£¿aise des Sciences de l¡¯Information et de la Communication
%D 2012
%I Soci¨¦t¨¦ Fran?aise de Sciences de l¡¯Information et de la Communication
%X L¡¯article commence par faire retour sur l¡¯¨¦conomie Politique de la Communication (EPC) et sur les mutations que ce courant th¨¦orique a connues au cours des trente derni¨¨res ann¨¦es. Il insiste sur le fait que la dite Th¨¦orie des Industries Culturelles qui s¡¯est form¨¦e au sein de ce courant, en posant comme centrale l¡¯analyse des ph¨¦nom¨¨nes culturels, informationnels et communicationnels allant de la conception des produits ¨¤ leur consommation et appropriation, en passant par leur production (ou ¨¦dition), leur distribution (ou programmation), est tenue de plus en plus de mettre en  uvre une m¨¦thodologie de recherche inter-dimensionnelle. Cette m¨¦thodologie articule d¨¦sormais, selon des protocoles de recherche variables, strat¨¦gies des industries de la communication, activit¨¦s des artistes et intellectuels contribuant ¨¤ la conception, strat¨¦gies des ¨¦diteurs, producteurs et diffuseurs, pratiques culturelles, formation des usages des outils supports des pratiques, et consommations-r¨¦ceptions des contenus. The article starts by making return on the Political Economy of Communication (EPC) and on the changes that this theoretical current has experienced during thirty last years. He insists on the fact that the so-called Theory of Cultural Industries, which was formed within this current, by posing as central the analysis of the cultural, informational and communicational phenomena, ranging from products design to their consumption and appropriation, via their production (or publishing), their distribution (or programming), is held more and more to implement a methodology of inter-dimensional research. This methodology articulates from now on, according to variable protocols of research : strategies of communication industries, activities of the artists and intellectuals contributing to the design of the products, strategies of the editors, producers and diffusers (broadcasters), cultural practices, formation of the uses of the supports of the practices, and consumption-reception of the contents.
%K political economy of communication
%K inter-dimensional methodology
%K methodologie of research
%K theory of cultural industries
%K ¨¦conomie politique de la communication
%K m¨¦thodologie inter-dimensionnelle
%K m¨¦thodologie de recherche
%K th¨¦orie des industries culturelles
%U http://rfsic.revues.org/121