%0 Journal Article
%T La contradanza en Espa a en el siglo XVIII: Ferriol y Boxeraus, Minget e Yrol y los bailes p¨²blicos
%A Rico Os¨¦s
%A Clara
%J Anuario Musical
%D 2009
%I Consejo Superior de Investigaciones Cient¨ªficas
%X The country-dance arrived to Spain through the France border during the fi rst half of the 18th century and it was codifi ed in Spanish language by the French dance treatises authors (Ferriol and Minguet). Both described two basic categories of countrydance: the English and the French, and they choreographed several examples following the pattern of treatises created by authors such as Feuillet (1706) and De la Cuisse (1762). During the second half of the century country-dance became essential in public balls, proof of which are the numerous English and French country-dance compilations in performed within those balls. The present study aims to explore the evolution of country-dance in Spain during the 18th century: Is it possible to establish certain particular characteristics? Were Spanish choreographers and composers able to write their own choreographies? To what extent were the French notation systems assimilated by Spanish authors? La contradanza lleg¨® a Espa a, a trav¨¦s de Francia, durante la primera mitad del siglo XVIII y fue codifi cada por los autores de tratados de danza francesa en espa ol (Ferriol y Minguet). Ambos describen dos tipos b¨¢sicos de contradanza: la inglesa y la francesa y coreograf¨ªan varios ejemplos siguiendo los modelos de tratadistas franceses como Feuillet (1706) o De la Cuisse (1762). Durante la segunda mitad de siglo, las contradanzas se convierten en la esencia de los bailes p¨²blicos; prueba de ello son los numerosos recopilatorios de contradanzas, inglesas y francesas, que se interpretaban en dichos bailes. Este estudio se propone explorar la evoluci¨®n de la contradanza en Espa a en el siglo XVIII:  Es posible establecer unas caracter¨ªsticas propias?,  Fueron los compositores y core¨®grafos espa oles capaces de escribir sus propias coreograf¨ªas?,  Hasta qu¨¦ punto fueron asimilados los sistemas franceses de notaci¨®n?.
%K Dance
%K ball
%K choreography
%K country-dance
%K contredanse
%K contradanza
%K 18th century
%K Old Regime
%K Spain
%K France
%K Danza
%K baile
%K coreograf¨ªa
%K contradanza
%K country-dance
%K contredanse
%K siglo XVIII
%K Antiguo R¨¦gimen
%K Espa a
%K Francia
%U http://anuariomusical.revistas.csic.es/index.php/anuariomusical/article/view/43/42