%0 Journal Article
%T Sailing on seas of uncertainties: late style and Puccini¡¯s struggle for self-renewal
%A Amir Cohen-Shalev
%J International Journal of Ageing and Later Life
%D 2008
%I Link?ping University Electronic Press
%X The popularity of Puccini¡¯s melodramatic operas, often derided by ¡°serious¡± musicologists, has hindered a more rounded evaluation of his attempt at stylistic change. This paper offers a novel perspective of lifespan creative development in order to move the discussion of Puccini beyond the dichotomy of popular versus high-brow culture. Tracing the aspects of gradual stylistic change that began in The Girl from the Golden West (1910) through the three operas of Il Trittico: Il Tabarro, Suor Angelica, and Gianni Schicchi (1918¨C1919), the paper then focuses on Puccini¡¯s last opera, Turandot (1926), as exemplifying a potential turn to a reflexive, philosophical style which is very different from the melodramatic, sentimentalist style generally associated with his work. In order to discuss this change as embodying a turn to late style, the paper identifies major stylistic shifts as well as underlying themes in the work of Puccini. Th paper concludes by discussing the case of Puccini as a novel contribution to the discussion of lateness in art, until now reserved to a selected few ¡®¡°old Masters.¡±
%K Puccini
%K late style
%K life-span development
%K creativity
%U http://dx.doi.org/10.3384/ijal.1652-8670.083177