%0 Journal Article
%T 14. Y¨¹zy lda Musiki Tasavvuru: Hasan Ka an ¡¯nin ¡°Kenz¨¹¡¯t-Tuhaf¡± Adl  Eseri (expresPerception of Music in the Fourteenth Century: Hasan Ka an ¡¯s ¡°Kenzu¡¯t-Tuhaf¡±)
%A Zeynep Y£¿ld£¿z
%J £¿nsan & Toplum Dergisi
%D 2011
%I ?lmi Et¨¹dler Derne?i
%R http://dx.doi.org/10.12658/human.society.1.2.m0038
%X Our knowledge of the musical vision of the fourteenth century in the Islamic world is very insufficient because of the lack of sources and relevant research. However, this century is a very important period in which the musical system of Safiyy¨¹dd n was discussed and annotated, and so it prepared the ground for the coming of an important scholar such as Merag . In addition, the names of the tones (desat n) appear for the first time in a source. In this article, I have analyzed the understanding of music, music theory, and musical instruments of the fourteenth century, deriving information from a Persian treatise named Kenz¨¹¡¯t-Tuhaf written by Hasan Ka an  in the fourteenth century.
%K Kenz¨¹¡¯t-Tuhaf
%K Hasan Ka an
%K Music Theory
%K Musical Instruments
%K Music Mythology
%K Effects of Music
%K Musicology
%K Ethnomusicology.
%U http://www.insanvetoplum.org/index.php/IVT/article/view/23/21