%0 Journal Article
%T Visuality ¨C Textuality: An Uncanny Encounter
%A Elisabeth Bronfen
%J Image and Narrative : Online Magazine of the Visual Narrative
%D 2010
%I Katholieke Universiteit Leuven
%X (E): Given that visuality is as much a part of all narration as the fact that we view images by reading them as though they were texts, this essay proposes to speak about an uncanny encounter between the two. In order to illustrate this mutual implication, as well as to bring in the theme of the spectral (that Freud suggests all experiences of the uncanny entail), it offers a cross-mapping between three different media at three different historical moments: a novella by the late Victorian author Charlotte Perkins Gilman, a series of photographs by the late modern photographer Francesca Woodman, and a film by the postmodern film maker Amen¨¢bar.  (F):  Cet article part de deux observations : ¨¤ savoir que la visualit¨¦ fait partie du champ plus large du r¨¦cit, et que nous regardons les images en les lisant comme si elles ¨¦taient des textes. ¨¤ partir de l¨¤, on examine la rencontre du textuel et du visuel comme une forme de l¡¯inqui¨¦tante ¨¦tranget¨¦. Afin d¡¯illustrer leur implication r¨¦ciproque et d¡¯introduire la notion de spectre (dont Freud pose qu¡¯il est sous-entendu par toutes les exp¨¦riences de l¡¯inqui¨¦tante ¨¦tranget¨¦), l¡¯article proc¨¨de ¨¤ l¡¯analyse comparative de trois m¨¦dias ¨¤ trois moments historiques diff¨¦rents : un r¨¦cit par une auteure des derni¨¨res ann¨¦es de l¡¯¨¨re victorienne, Charlotte Perkins Gilman ; une suite de photographes par la photographe du modernisme tardif Francesca Woodman ; et un film par le r¨¦alisateur postmoderne Pedro Amen¨¢bar.
%K Alejandro Amen¨¢bar
%K Charlotte Perkins Gilman
%K Francesca Woodman
%K Image
%K Photography
%K Spectre
%K Uncanny
%U http://www.imageandnarrative.be/index.php/imagenarrative/article/view/90