%0 Journal Article
%T Paintings in Atlantic Megalithic Art: Barnenez
%A Bueno Ram¨ªrez
%A Primitiva
%A de Balb¨ªn Behrmann
%A Rodrigo
%A Laporte
%A Luc
%A Gouezin
%A Philippe
%J Trabajos de Prehistoria
%D 2012
%I Consejo Superior de Investigaciones Cient¨ªficas
%R 10.3989/tp.2012.12083
%X The use of technique is usually considered in European megalithic art as an indicator of the level of culture sophistication attained by a particular community. Traditionally, it was considered that only the Iberian Peninsula is home to painted dolmens. The analysis of chamber H of the Barnenez tumulus together with some information scattered over the continent, prove that painting was part of the graphic programs in the most archetypal Atlantic sites, such as Brittany. A highly rewarding panorama appears for European megalithic art with potential new readings. The most suitable method of detecting paintings and interpreting them in funerary contexts must be reviewed. La t¨¦cnica ha venido estableci¨¦ndose en el arte megal¨ªtico europeo como una categor¨ªa cultural. Solo la Pen¨ªnsula Ib¨¦rica dispon¨ªa de d¨®lmenes pintados. Pero algunos datos dispersos en el resto del continente, junto con los an¨¢lisis que se aportan procedentes de la c¨¢mara H del t¨²mulo de Barnenez, certifican que la pintura form¨® parte de los programas gr¨¢fi cos de los m¨¢s cl¨¢sicos conjuntos atl¨¢nticos, como es el bret¨®n. Se abre un panorama muy enriquecedor de nuevas lecturas para un arte megal¨ªtico europeo en el que habr¨¢ de contemplarse la metodolog¨ªa pertinente para la detecci¨®n de pinturas y su interpretaci¨®n en los discursos funerarios.
%K Megalithic painting
%K Neolithic
%K Brittany
%K Europe
%K Pintura megal¨ªtica
%K Neol¨ªtico
%K Breta a
%K Europa
%U http://tp.revistas.csic.es/index.php/tp/article/view/571/591