%0 Journal Article
%T Mourir/survivre. Lumi¨¨res de Sarah Kane
%A Martine Delvaux
%J Temps Z¨¦ro : Revue d'¨¦tude des ¨¦critures Contemporaines
%D 2012
%I Codicille ?diteur
%X L¡¯article propose une lecture de la premi¨¨re et de la derni¨¨re  uvres de la dramaturge britannique Sarah Kane, Blasted et 4.48 Psychosis, afin de r¨¦fl¨¦chir sur son legs th¨¦atral. En s¡¯appuyant sur Survivance des lucioles de Georges Didi-Huberman (2009), le texte met en lumi¨¨re le rapport ¨¤ l¡¯espoir qui ¨¦mane de l¡¯ uvre de Kane et de son pessimisme apparent. Delvaux voit, dans l¡¯¨¦criture fragment¨¦e, sarcastique et provocante, non pas le testament d¡¯une artiste cliniquement d¨¦pressive mais plut t un ultime outil de r¨¦sistance ¨¤ la noirceur, un refus radical de cette posture cynique que lui attribuait la critique.This article offers a reading of British dramaturge Sarah Kane¡¯s first and last pieces, Blasted and 4.48 Psychosis, in order to reflect on her dramatic heritage. Drawing upon Georges Didi-Huberman¡¯s Survivance des lucioles (2009), the text sheds light on the question of hope in what has been seen as pessimism in Kane¡¯s work. Rather than understanding Kane¡¯s fragmented, sarcastic and provocative writing as a testament of a clinically depressed author, Delvaux sees it as a work of resistance, a desire to see the light in an all-encompassing cultural darkness, suggesting that Kane, in fact, refuses the cynical posturethat critics have associated with her work.
%K Sarah Kane
%K Georges Didi-Huberman
%K violence
%K th¨¦atre
%K psychose
%K espoir
%K drama
%K psychosis
%K hope
%U http://tempszero.contemporain.info/document982