%0 Journal Article
%T El guion cinematogr¨¢fico,  texto literario?
%A Giovanna Pollarolo
%J Lexis
%D 2011
%I Pontificia Universidad Cat¨®lica del Per¨²
%X The conventional and most widespread definition of the screenplay is that which regards it as a ¡°working instrument¡± that ¡°guides¡± the making of a film due to the presentation of a set of instructions to perform it. Clearly,such a consideration, of a purely utilitarian text to serve a ¡°greater work¡± in this case the film script has been limited to its pragmatic function. This explains the absence, with few exceptions, of studies to discuss, for example, its narrative status and quality¡ªeither as ¡°literary text¡± or as ¡°minortext¡±¡ªits ability or inability to be read as autonomous text, its relationship to the movie once filmed and approaches around issues of authorship,among others. In this paper I intend to challenge the conventional definition and propose some approaches going beyond the limits imposed bythis concept. la pel¨ªcula, ha limitado al guion a su funci¨®n pragm¨¢tica. Ello explica la ausencia, con escasas excepciones, de estudios orientados a discutir, por ejemplo, su condici¨®n de texto narrativo ¡ªy su calidad ya sea de ¡°texto literario¡± o de ¡°texto menor¡±¡ª, su capacidad o incapacidad de ser le¨ªdocomo texto aut¨®nomo, su relaci¨®n con la pel¨ªcula una vez filmada, as¨ª como aproximaciones en torno a asuntos relacionados con la autor¨ªa, entre otros temas. En el presente trabajo me propongo cuestionar la definici¨®n convencional y plantear algunas aproximaciones que van m¨¢s all¨¢ de losl¨ªmites que dicha concepci¨®n impone.
%K herramienta
%K blue print
%K autonom¨ªa
%K autor¨ªa
%U http://revistas.pucp.edu.pe/index.php/lexis/article/view/2478