%0 Journal Article
%T Critique of Greenberg''s Reductionism of Modernist Painting<br>格林伯格现代主义绘画的还原论批判
%A Michael Fried
%A <br>迈克尔·弗雷德
%A 沈语冰
%J 浙江大学学报(人文社会科学版)
%D 2010
%I 
%X With the rise of American minimalism,the radically reductive art of the mid-1960's that took to a logical conclusion of the Greenbergian doctrine that painting tended inexorably to approach the condition of absolute flatness,and sculpture that of volumetric clarity,one saw formalism at its most ruthless absolute,and,artistically,one saw a complete dead end.Thus my criticism is a double critique of Greenberg's theory of modernist painting and of Minimalism's Greenbergian advocacy of literalism.
%K minimalism
%K reductionism of modernist painting
%K Clement Greenberg<br>极简主义
%K 现代主义绘画的还原论
%K 格林伯格
%U http://www.alljournals.cn/get_abstract_url.aspx?pcid=01BA20E8BA813E1924CB483152CA50D4FC5BD3CBB47B847F&cid=585D04A2453D8AD5DDFFE8BE5B16E24C&jid=D60DCFE5A8F7BD187924CADC70161E70&aid=AA6910E74A77B36BE5148213212B38BC&yid=140ECF96957D60B2&vid=1371F55DA51B6E64&iid=0B39A22176CE99FB&sid=8E6AB9C3EBAAE921&eid=9FFCC7AF50CAEBF7&journal_id=1008-942X&journal_name=浙江大学学报(人文社会科学版)&referenced_num=1&reference_num=17