%0 Journal Article
%T El uso estrat谷gico de la velocidad en el relato hist車rico realizado por la serie documental televisiva La Transici車n / The strategic use of narrative speed in the historical narrative of the television documentary series La Transici車n
%A Sira Hern芍ndez Corchete
%J Comunicaci車n y Hombre
%D 2010
%I Universidad Francisco de Vitoria
%X Ning迆n relato factual o de ficci車n tiene el poder ni, por tanto, la obligaci車n, como se ala Genette (1993: 60), de imponerse una velocidad rigurosamente sincr車nica con la de su historia. Los documentales de divulgaci車n hist車rica no son ninguna excepci車n, por eso recurren a un conjunto de t谷cnicas narrativas y dram芍ticas que les permiten alterar la duraci車n del relato audiovisual que llevan a cabo y, en consecuencia, adecuar su contenido a los l赤mites del tiempo f赤lmico e impedir que el ritmo se ralentice y aburra al espectador. Partiendo de la categor赤a genettiana de velocidad, el presente art赤culo se propone analizar el uso estrat谷gico de algunas de estas t谷cnicas en la serie documental televisiva La Transici車n (1995).According to Genette (1993:60), any factual or fiction narrative has neither the power nor the commitment to take on the same simultaneous narrative speed of its story. Therefore, the historical documentaries are not an exception. For this reason, they make use of several narrative and dramatic techniques in order to fit the length of their audiovisual narratives, and consequently, to adapt their contents to the movie length and both prevent the rhythm from becoming slow and the audience from being bored. Taking Genette＊s category of narrative speed as the starting point, the aim of this article is to analyze the strategic use of some of these techniques in the television documentary series La Transici車n (1995).
%K Documental hist車rico
%K Relato
%K Historia
%K Velocidad narrativa
%K Ret車rica historical
%K Documentary
%K Narrative
%K Story
%K Narrative speed
%K Rhetoric
%U http://www.ufv.es/docs/06_i_sirahernandez.pdf