%0 Journal Article
%T Voces can¨®nicas y miradas inocentes: definiendo el Norte cinematogr¨¢fico
%A Su¨¢rez Lafuente
%A M.a Socorro
%J Arbor : Ciencia, Pensamiento y Cultura
%D 2012
%I Consejo Superior de Investigaciones Cient¨ªficas
%R 10.3989/arbor.2012.758n6015
%X In the young Nordic countries, where nature clearly predominates over monuments, the first scripts were sought from among the canonical literary texts of their various languages, on the assumption that literature had already inscribed the social development of the countries concerned. Well into the 20th century, when their cultural identities had been defined, film directors turned to the construction of individual identities, hence choosing children and adolescents as their preferred protagonists. In the last third of the century, aided by the corresponding Film Academies, many women embarked on careers as directors. A number of them are discussed here, together with their most significant films. Particular attention is paid to Mai Zetterling and Liv Ullmann, however, since they were not only fundamental for their own countries, Sweden and Norway respectively, but for the history of cinema in general. Los j¨®venes pa¨ªses n¨®rdicos, en los que predomina la naturaleza sobre los monumentos, han buscado sus primeros guiones cinematogr¨¢ficos entre las obras literarias can¨®nicas de sus diferentes lenguas, porque aquellas hab¨ªan inscrito ya el desarrollo social de los diferentes pa¨ªses. Una vez implementada su identidad hist¨®rico-cultural, muy adelantado el siglo XX, el cine n¨®rdico pasa a centrarse en la construcci¨®n identitaria individual, siendo la infancia y la juventud protagonistas favoritas de muchas pel¨ªculas. En el ¨²ltimo tercio del siglo, al amparo de las diferentes academias de cine, surge un n¨²mero sustancial de mujeres que dirigen; har¨¦ una referencia general a varias de ellas y sus pel¨ªculas y prestar¨¦ algo m¨¢s de atenci¨®n a dos directoras fundamentales para la historia del cine en general: Mai Zetterling, que supone una clara internacionalizaci¨®n de temas y estilo en el cine sueco, y Liv Ullmann, que nos proporciona la mirada cl¨¢sica art¨ªstica del cine noruego.
%K Women film directors
%K Sweden
%K Norway
%K Finland
%K Iceland
%K childhood
%K nature
%K literature
%K Directoras de cine
%K Suecia
%K Noruega
%K Finlandia
%K Islandia
%K infancia
%K naturaleza
%K literatura
%U http://arbor.revistas.csic.es/index.php/arbor/article/view/1536/1548