%0 Journal Article
%T Der Fliegende Holl nder in der Inszenierung von Christoph Schlingensief, Manaus 2007. Eine Ann herung anhand von Dokumenten, Aufzeichnungen und Gespr chen mit Mitarbeitern
%A Anna-Catharina Gebbers
%J Act : Zeitschrift f¨¹r Musik & Performance
%D 2012
%I Universit?t Bayreuth
%X The following consideration of Christoph Schlingensief¡¯s production of The Flying Dutchman in Manaus, Brazil, in 2007 is based both on the screening of a documentary film of the performance together with film- and text-based supplementary materials as well as on interviews with members of Christoph Schlingensief¡¯s team who were directly involved. On the one hand, there is the fundamental problem of performance analysis, while on the other hand, there are Schlingen-sief¡¯s multifaceted procedures to be taken into account. In my view this approach comes closer to Christoph Schlingensief¡¯s working method than does an attempt at a congruent retelling, which blurs all differences for the sake of a combined consideration. Schlingensief¡¯s stagings were also created with a fragmentation of perspective, made possible often by a very precise script, the various production ele-ments, and site-specific features used on a par with the action.
%K Schlingensief
%K Wagner
%K The flying dutchman
%K performance analysis
%U http://opus.ub.uni-bayreuth.de/volltexte/2012/999/pdf/ACT2012_03_Gebbers.pdf