%0 Journal Article
%T Milton, Minas & Geraes: uma cultura de resist¨ºncia
%A Alberto Carlos de Souza
%J OPSIS : Revista do Departamento de Hist¨®ria e Ci¨ºncias Sociais
%D 2010
%I Universidade Federal de Goi¨¢s
%X A study that discusses the places of memory in the works phonograph ¡°Minas¡± and ¡°Geraes¡±, Milton Nascimento, launched in 1975 and 1976, respectively, seen by critics of the season as the most representative of the ¡°movement¡± Clube da Esquina. Such works have engendered an environment in which Brazil was experiencing a time of severe political repression, a situation in which Milton and his partners realize the opportunity in ¡°Minas¡± sing in, in their roots in the countryside, and ¡°Geraes¡±, sing out, by incorporating elements of its musicality of Latin America. ¡°Minas¡± and ¡°Geraes¡± has the meaning of being ¡°places without gaps¡± - where there is no ¡°desbunde¡±, on the contrary, an exposition of resistance within the body, passion, feelings, faith and memory - are unable be touched by a system whose premise was the total lack of sensitivity to the human and universal.
%K Milton Nascimento
%K m¨²sica popular brasileira
%K lugares de mem¨®ria.
%U http://revistas.ufg.br/index.php/Opsis/article/view/9676#.T-B70fWgssw