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Search Results: 1 - 10 of 1946 matches for " Niurka; Oliva Real "
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Alternativa de tratamiento en prótesis fija con acupuntura
Corona Carpio,Marcia Hortensia; Camps Mullines,Idalia; Lao Salas,Niurka; Oliva Real,Matilde María;
Revista Cubana de Estomatolog?-a , 2007,
Abstract: the case of a female patient aged 48 years with a history of allergy to dental anesthesia and interested in restoring her aesthetic image by using a fixed denture. it was decided to administer acupunctural anesthesia to prepare the pillars to receive the fixed bridge. the techniques and the results were described. there were no adverse reactions, and the patient recovered satisfactorily after the alternative treatment.
Alternativa de tratamiento en prótesis fija con acupuntura Alternative treatment with acupuncture in fixed denture.
Marcia Hortensia Corona Carpio,Idalia Camps Mullines,Niurka Lao Salas,Matilde María Oliva Real
Revista Cubana de Estomatolog?-a , 2007,
Abstract: Se presenta el caso de una paciente femenina de 48 a os de edad con antecedentes alérgicos a la anestesia dental y preocupación de rehabilitar su estética con prótesis fija. Se decidió aplicar anestesia acupuntural en la preparación de los pilares para recibir el puente fijo. Se exponen las técnicas y los resultados obtenidos. No se manifestaron reacciones adversas y la paciente evolucionó satisfactoriamente con el tratamiento alternativo realizado. The case of a female patient aged 48 years with a history of allergy to dental anesthesia and interested in restoring her aesthetic image by using a fixed denture. It was decided to administer acupunctural anesthesia to prepare the pillars to receive the fixed bridge. The techniques and the results were described. There were no adverse reactions, and the patient recovered satisfactorily after the alternative treatment.
Moluscos terrestres de las elevaciones cársticas de Vi?ales, Pinar del Río, Cuba
Oliva-Olivera,Wilfredo; Real,Raimundo;
Revista de Biología Tropical , 2009,
Abstract: land snails from the vi?ales limestone highlands, pinar del río, cuba. the land snails inhabiting the limestone highlands in cuba are poorly known. from field surveys, traditional collection catalogues, and the literature, we list 136 species, 49 genera and 19 families, 90 % of the species endemic to cuba; only five species are non-indigenous of the cuban archipelago. annulariidae and urocoptidae are the most represented families, and chondrothyra and liocallonia are the genera with the highest number of species. forty-four species of this list were absent from the consulted collections. we provide 16 new records of species in localities of the region; and 12 species seem to have become locally extinct. rev. biol. trop. 57 (3): 589-604. epub 2009 september 30.
Moluscos terrestres de las elevaciones cársticas de Vi ales, Pinar del Río, Cuba
Wilfredo Oliva-Olivera,Raimundo Real
Revista de Biología Tropical , 2009,
Abstract: De acuerdo a los muestreos efectuados en localidades representativas de las elevaciones cársticas de Vi ales (Cuba), la consulta de catálogos no automatizados de colecciones malacológicas y la revisión de la literatura, se dan a conocer 136 especies, agrupadas en 49 géneros y 19 familias, de moluscos terrestres procedentes de la región. El 90% de las especies identificadas son endémicas de Cuba y sólo cinco especies no son autóctonas del archipiélago cubano. Las familias mejor representadas son Annulariidae y Urocoptidae. Los géneros con mayor número de especies son Chondrothyra y Liocallonia. Cuarenta y cuatro especies detectadas en Vi ales no estaban representadas en las colecciones consultadas, y 23 de ellas han sido recolectadas en este trabajo y aportadas a las colecciones del Instituto de Ecología y Sistemática de Cuba. Se dan a conocer 16 nuevos registros de especies en localidades de la región, mientras que 12 especies parecen haberse extinguido localmente. Land snails from the Vi ales limestone highlands, Pinar del Río, Cuba. The land snails inhabiting the limestone highlands in Cuba are poorly known. From field surveys, traditional collection catalogues, and the literature, we list 136 species, 49 genera and 19 families, 90 % of the species endemic to Cuba; only five species are non-indigenous of the Cuban archipelago. Annulariidae and Urocoptidae are the most represented families, and Chondrothyra and Liocallonia are the genera with the highest number of species. Forty-four species of this list were absent from the consulted collections. We provide 16 new records of species in localities of the region; and 12 species seem to have become locally extinct. Rev. Biol. Trop. 57 (3): 589-604. Epub 2009 September 30.
Anestesia videoendoscópica en el ni?o
Nápoles Smith,Raúl de Jesús; Oliva Real,Matilde María;
MEDISAN , 2012,
Abstract: a descriptive and cross-sectional study of 457 patients, attended at the surgical services of the southern children hospital in santiago de cuba was carried out from 1996 to 2011, aimed at improving the quality of the anesthetic-surgical therapy in children, to minimize the hospital stay and to decrease the institutional costs, among other aspects. in the series, chronic colecystitis, gynecological and breathing disorders, as well as associated diseases prevailed. as the results of the applied techniques were satisfactory and the complications attributable to the anesthesia were scarce, it was possible to attend children and adolescents in this services.
Anestesia videoendoscópica en el ni o Videoendoscopic anesthesia in the child
Raúl de Jesús Nápoles Smith,Matilde María Oliva Real
MEDISAN , 2012,
Abstract: Se efectuó un estudio descriptivo y transversal de 457 pacientes, atendidos en los servicios quirúrgicos del Hospital Infantil Sur de Santiago de Cuba desde 1996 hasta 2011, con vistas a mejorar la calidad de la terapéutica anestésico-quirúrgica en ni os y ni as, minimizar la estadía hospitalaria y disminuir los costos institucionales, entre otros aspectos. En la serie predominaron la colecistitis crónica, las afecciones ginecológicas y respiratorias, así como las enfermedades asociadas. Entre los fármacos preanestésicos primaron el diazepam, el midazolam y la atropina, utilizados en todos los pacientes; y entre los anestésicos de inducción, el tiopental en 335. Teniendo en cuenta que los resultados de las técnicas empleadas fueron satisfactorios y las complicaciones atribuibles a la anestesia, escasas, ello sentó las pautas para la asistencia a ni os y adolescentes en dichos servicios. A descriptive and cross-sectional study of 457 patients, attended at the surgical services of the Southern Children Hospital in Santiago de Cuba was carried out from 1996 to 2011, aimed at improving the quality of the anesthetic-surgical therapy in children, to minimize the hospital stay and to decrease the institutional costs, among other aspects. In the series, chronic colecystitis, gynecological and breathing disorders, as well as associated diseases prevailed. As the results of the applied techniques were satisfactory and the complications attributable to the anesthesia were scarce, it was possible to attend children and adolescents in this services.
Crisis de glaucoma agudo durante una laparotomía con el uso de anestesia general
Llerena Rodríguez,Jorge Alberto; Hernández Luaces,Luis Felipe; Oliva Acosta,Jorge Luis; Hernández Montano,Niurka;
Revista Cubana de Medicina Militar , 2003,
Abstract: the case of a female patient aged 56 who underwent laparotomy with general orotracheal anesthesia with thiopental, succinylcholine, halothane, nitric oxide and oxigen was reported. no immediate complications were observed. 48 hours later he presented the clinical picture corresponding to acute glaucoma. as she did not respond to drug treatment, peripheral iridectomy was performed with local anesthesia. in the analysis of the family pathological history related with appendectomy and with the drugs used, it was concluded that the existance of glaucoma family history in this patient together with the laryngoscopy maneuver, the use of succinylcholine and atropine were factors that in an individual or associated way contributed to the acute glaucoma attack.
Crisis de glaucoma agudo durante una laparotomía con el uso de anestesia general
Jorge Alberto Llerena Rodríguez,Luis Felipe Hernández Luaces,Jorge Luis Oliva Acosta,Niurka Hernández Montano
Revista Cubana de Medicina Militar , 2003,
Abstract: Se reporta el caso de una paciente del sexo femenino de 56 a os de edad a la que se le realizó laparotomía con anestesia general orotraqueal con tiopental, succinilcolina, halotane, óxido nitroso y oxígeno sin que se observaran complicaciones inmediatas. A las 48 horas presentó el cuadro clínico correspondiente a un glaucoma agudo y, que por no ceder al tratamiento medicamentoso, se le realizó iridectomía periférica con anestesia local. En el análisis de los antecedentes patológicos familiares relacionados con la intervención quirúrgica para apendicectomía y de los medicamentos utilizados, se llegó a la conclusión de que la existencia de historia familiar de glaucoma en esta paciente, unida a la maniobra de laringoscopia, al uso de succinilcolina y la atropina fueron factores que de forma individual o asociados contribuyeron al ataque de glaucoma agudo. The case of a female patient aged 56 who underwent laparotomy with general orotracheal anesthesia with thiopental, succinylcholine, halothane, nitric oxide and oxigen was reported. No immediate complications were observed. 48 hours later he presented the clinical picture corresponding to acute glaucoma. As she did not respond to drug treatment, peripheral iridectomy was performed with local anesthesia. In the analysis of the family pathological history related with appendectomy and with the drugs used, it was concluded that the existance of glaucoma family history in this patient together with the laryngoscopy maneuver, the use of succinylcholine and atropine were factors that in an individual or associated way contributed to the acute glaucoma attack.
Education to Theatricality inside Secondary School, Art and Body  [PDF]
Gaetano Oliva
Creative Education (CE) , 2014, DOI: 10.4236/ce.2014.519197
Abstract: The aim of this study was to present results of Education to Theatricality (IT: Educazione alla Teatralità) as scientific research and innovative pedagogy in the sector of the education of the person. Education to Theatricality has a lot of purposes to contribute to the psycho-physic well-being of each person; particularly it wants to help everyone to realize himself, as human being and as social actor; it wants to give everybody the chance to reveal his own diversity and specificity, because everybody has a message to convey through his body and his voice. The Education to Theatricality wants to stimulate skills, it wants to develop a better awareness of interpersonal relationships; it wants also give space to the assignment meaning process, because it considers “doing” as important as thinking, which permits to develop awareness about personal acts. Education to Theatricality is a science that includes pedagogy, sociology, human sciences, psychology and performative art in general. The scientific nature of this discipline allows to apply it to the most part of the contexts and of the persons, because it has in the centre of its pedagogical process the human being, as such he is and not necessarily with any skill. The training of the actor-person is one of the most important principles of the Education to Theatricality: the most important purpose is the development of the creativity and the imagination through a work, based on scientific principles that the actor-person leads on himself. The ultimate aim of this science is not to transform the human in an actor-object, shaping him just for packed shows that can be easily sold, but to allow him to enhance his own qualities respecting his personality. The theatrical activity in the school and in the educational centers for children teenagers stimulates and protects the inventive skills of the students.
Education to Theatricality and Neutral Mask: Psycho-Pedagogical Approach  [PDF]
Gaetano Oliva
Creative Education (CE) , 2016, DOI: 10.4236/ce.2016.711169
Abstract: Education to Theatricality is pedagogical and artistic research; it is a science that includes different disciplines such as pedagogy, sociology, human sciences, psychology and the performing arts in general. The scientific basis of this discipline allows us to apply it in all possible contexts and with any individual, because it keeps the man in the center of its pedagogical process. One of the fundamental principles of Education to Theatricality is the development of the actor-person; the main aim is the development of creativity and imagination through a scientific training led by the actor on himself. This article introduces and analyses the Neutral Mask as an important element of theatrical pedagogy in relationship to its psyco-pedagogical aspect and as an educative instrument to train a person and to improve the development of creativity. The state of rest, calm, relaxing or suppleness silence is the starting point of every expression. The exercises with the neutral mask help students to investigate their inner world. When you wear the mask, you destroy the conception of time and of normally shared space, and the student has the opportunity to “dig” inside himself, facing his own identity. This essay presents the birth of the Neutral Mask in the Vieux Colombier School in Paris and explains its role in Jacques Copeau’s pedagogy; then the article analyses the psycho-pedagogical elements that characterize its use in a laboratory of expressive arts; it gives a definition of laboratory and gives some exercises; in the end it specifies the role of masks in the dramatic play. Education to Theatricality as pedagogy uses the expressive arts into the theatre workshop to lead the subject onto a path of growth and training, activating the original potential skills of this person. An instrument such as the Neutral Mask, used during a theatrical workshop, allows to develop a greater self-awareness. By learning a silent language, a student can deepen the perception of his body and of his self-awareness through the use of Neutral Mask during a theatre workshop.
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