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Search Results: 1 - 10 of 633402 matches for " Andrés Troncoso M "
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EL ARTE DE LA DOMINACIóN: ARTE RUPESTRE Y PAISAJE DURANTE EL PERíODO INCAICO EN LA CUENCA SUPERIOR DEL RíO ACONCAGUA
Troncoso M.,Andrés;
Chungará (Arica) , 2004, DOI: 10.4067/S0717-73562004000200016
Abstract: considering the formal and spatial characteristics of the rock art in the upper basin of aconcagua river, central chile, i attempt to understand the inka presence in this region and, particularly, the social role played by this system of visual representation. for this purpose, the social function of rock is defined for the late intermediate period. next, considering the meaning of the material statement and the changes that affected it during inka times, i analize it as an active agent in the social process of spatial occupation and domination imposed by the tawantinsuyu in the upper basin of the aconcagua river
PROPOSICIóN DE ESTILOS PARA EL ARTE RUPESTRE DEL VALLE DE PUTAENDO, CURSO SUPERIOR DEL RíO ACONCAGUA
Troncoso M,Andrés;
Chungará (Arica) , 2003, DOI: 10.4067/S0717-73562003000200003
Abstract: this paper presents new archaeological research undertaken on the rock art of the putaendo valley. from the information gathering, we are proposing the existence of three styles of rock art associated with the late intermediate (900-1.400 a.d.), late or inca (1.400-1.536 a.d.) and historical periods (1.536 a.d. onwards).
HACIA UNA SEMIóTICA DEL ARTE RUPESTRE DE LA CUENCA SUPERIOR DEL RíO ACONCAGUA, CHILE CENTRAL
Troncoso M.,Andrés;
Chungará (Arica) , 2005, DOI: 10.4067/S0717-73562005000100003
Abstract: in this article the material world of prehispanic central chile is conceptualized as a system of specialized semiotics and a product of a particular thought process. using a semiotic characterization of a rock art from the upper basic of the aconcagua river has allowed the characterization of two rock art styles. these styles are compared with other representational systems from the same area in order to characterize a general semiotic principle for the production of the visual systems such as pottery and architecture. the results allow for a discussion of chronological associations of local rock art, with ties to the late intermediate period and late horizon
HACIA UNA SEMIóTICA DEL ARTE RUPESTRE DE LA CUENCA SUPERIOR DEL RíO ACONCAGUA, CHILE CENTRAL TOWARD A SEMIOTIC OF ROCK ART from THE UPPER BASIN OF THE ACONCAGUA RIVER, CENTRAL CHILE
Andrés Troncoso M.
Chungará (Arica) - Revista de Antropología Chilena , 2005,
Abstract: En el presente trabajo se conceptualizan las materialidades prehispánicas como conjuntos semióticos específicos producto de una forma particular de pensamiento. A partir de la caracterización semiótica del arte rupestre de la cuenca superior del río Aconcagua, que permite definir dos estilos de petroglifos, se procede a su comparación con otros sistemas de representación visual de la zona de estudio, con el fin de acercarse a la caracterización de una semiótica general que defina la producción material de estos grupos. Los resultados alcanzados permiten discutir la asociación cronológica cultural del arte rupestre local, proponiéndose su asociación a los períodos Intermedio Tardío y Tardío In this article the material world of prehispanic central Chile is conceptualized as a system of specialized semiotics and a product of a particular thought process. Using a semiotic characterization of a rock art from the upper basic of the Aconcagua River has allowed the characterization of two rock art styles. These styles are compared with other representational systems from the same area in order to characterize a general semiotic principle for the production of the visual systems such as pottery and architecture. The results allow for a discussion of chronological associations of local rock art, with ties to the Late Intermediate Period and Late Horizon
PROPOSICIóN DE ESTILOS PARA EL ARTE RUPESTRE DEL VALLE DE PUTAENDO, CURSO SUPERIOR DEL RíO ACONCAGUA STYLISTIC PROPOSITIONS FOR PUTAENDO VALLEY ROCK ART, UPPER COURSE OF THE ACONCAGUA RIVER
Andrés Troncoso M
Chungará (Arica) - Revista de Antropología Chilena , 2003,
Abstract: A partir del estudio de una serie de paneles de petroglifos existentes en el valle de Putaendo, en el río Aconcagua alto, se propone su clasificación en tres estilos de arte rupestre para la zona de estudio. Estos estilos se asociarían a los períodos Intermedio Tardío (900-1.400 d.C.), Tardío o Inca (1.400-1.536 d.C.) e Histórico (1.536 d.C. en adelante). This paper presents new archaeological research undertaken on the rock art of the Putaendo Valley. From the information gathering, we are proposing the existence of three styles of rock art associated with the Late Intermediate (900-1.400 A.D.), Late or Inca (1.400-1.536 A.D.) and Historical Periods (1.536 A.D. onwards).
EL ARTE DE LA DOMINACIóN: ARTE RUPESTRE Y PAISAJE DURANTE EL PERíODO INCAICO EN LA CUENCA SUPERIOR DEL RíO ACONCAGUA THE ART OF DOMINATION: ROCK ART AND LANDSCAPE IN INkA TIMES IN THE UPPER BASIN OF ACONCAGUA RIVER
Andrés Troncoso M.
Chungará (Arica) - Revista de Antropología Chilena , 2004,
Abstract: Considerando las características formales y espaciales del arte rupestre en la Cuenca Superior del río Aconcagua, Chile central, se aborda la comprensión de la presencia incaica en la zona de estudio y, en especial, el papel jugado por este sistema de representación visual en el proceso de dominio estatal. Para ello, se define la función social del arte rupestre durante el período Intermedio Tardío. Seguidamente, considerando el sentido de esta expresión material y los cambios que lo afectaron durante tiempos incaicos, se analiza el arte rupestre como un agente activo en los procesos sociales de ocupación espacial y dominación implantados por el Tawantinsuyu en la Cuenca Superior del río Aconcagua Considering the formal and spatial characteristics of the rock art in the upper basin of Aconcagua river, central Chile, I attempt to understand the Inka presence in this region and, particularly, the social role played by this system of visual representation. For this purpose, the social function of rock is defined for the Late Intermediate period. Next, considering the meaning of the material statement and the changes that affected it during Inka times, I analize it as an active agent in the social process of spatial occupation and domination imposed by the Tawantinsuyu in the upper basin of the Aconcagua river
PERFIL CLINICO - EPIDEMIOLOGICO DE PACIENTES PEDIATRICOS INTERVENIDOS CON DIAGNOSTICO DE TESTICULO NO DESCENDIDO EN EL HOSPITAL DE TEMUCO 2002 - 2005.
Paula Troncoso T.,Victor Neira V.,Andrés Troncoso T,Dr. Eduardo Mu?oz M.
Revista ANACEM , 2007,
Abstract: AIM: To establish a clinical and epidemiological profile of pediatricpatients operated with diagnosis of undescended testis between2002 and 2005. METHODS: Retrospective review of clinicalhistories of 335 patients operated in that period. RESULTS:Average of age at the moment of diagnosis of 53,5 months. Averageof age at the moment of the surgery of 66,3 months; 70,4%were from urban places, 74,6% without mapudungun last names;96,2% were included in FONASA. Average of time between diagnosisand surgery was 16,3 months; 71,6% with compromise ofonly one testicle, 85,4% were touched at inguinal channel; 5,7%were nonpalpable testis. It was concommitant with fimosis and/or inguinal hernias in 68,1%. It was an ambulatory procedure in89,6%. CONCLUSIONS: Late age of diagnosis in relation withnational and international publications. We suggest control sinceadolescency in whom the age of diagnosis was posterior tonational recommendations.
POR CERROS, VALLES Y RINCONADAS: INVESTIGACIONES ARQUEOLóGICAS EN EL VALLE DEL RíO PUTAENDO, CUENCA SUPERIOR DEL RíO ACONCAGUA
Pavlovic B.,Daniel; Troncoso M.,Andrés; González C.,Paola; Sánchez R.,Rodrigo;
Chungará (Arica) , 2004, DOI: 10.4067/S0717-73562004000400025
Abstract: this paper presents the results of the archaeological investigations carried out in the valley of putaendo, in the upper basin of the river aconcagua, central zone of chile. these have permitted to characterize in preliminary form the settlement pattern, the material culture contexts, the chronology and the relations with adjacent areas of the human occupations developed during the prehispanic period in the valley
CURSO SUPERIOR DEL RíO ACONCAGUA: UN áREA DE INTERDIGITACIóN CULTURAL PERíODOS INTERMEDIO TARDíO Y TARDíO
Sánchez R.,Rodrigo; Pavlovic B.,Daniel; González C,Paola; Troncoso M,Andrés;
Chungará (Arica) , 2004, DOI: 10.4067/S0717-73562004000400018
Abstract: in the following paper we shall present the advances achieved in the characterization of the late intermediate period, at the upper course of the aconcagua river (fondecyt projects 1970531 and 1000172). we have been able to visualize that, during the late intermediate period and late period, the aconcagua culture does not present the typical characteristics of its' nuclear area, the maipo-mapocho basin. it has been also noticed that the area has its' own and distinctive cultural dynamic, that vaguely may be interrelated with the neighboring cultures (diaguita culture of the semi arid north and aconcagua culture of the maipo-mapocho basin). the persistence of types of material culture of each of the foreign culture present in the area, that are diagnostic of their original or nuclear zone, and the persistence of local cultural elements, has led us to think of the use of a type of intentional regulation of the different cultural identities that converge in the area. this has been conceptualized as cultural "interdigitation". the maintenance of the different cultures, which persist until the inca period, opens the discussion about ethnical identities and their frontiers. this new insight, although provisional, invites us to reconsider the prehistory of central chile and its' relation with the andean world
CURSO SUPERIOR DEL RíO ACONCAGUA: UN áREA DE INTERDIGITACIóN CULTURAL PERíODOS INTERMEDIO TARDíO Y TARDíO
Rodrigo Sánchez R.,Daniel Pavlovic B.,Paola González C,Andrés Troncoso M
Chungará (Arica) - Revista de Antropología Chilena , 2004,
Abstract: Se presentan los resultados de una investigación destinada a caracterizar la prehistoria del período Intermedio Tardío, en el curso superior del río Aconcagua (Proyectos Fondecyt 1970531 y 1000172). Estos dan cuenta de que durante los períodos Intermedio Tardío y Tardío la cultura Aconcagua no se encuentra presente, con las características propias de su área nuclear: la cuenca del Maipo-Mapocho. Por otra parte, también se da cuenta de que el área posee una dinámica cultural propia y distintiva, aunque estrechamente interrelacionada con las culturas vecinas (cultura Diaguita del Norte Chico y cultura Aconcagua de la cuenca del Maipo-Mapocho). La persistencia de formas de cultura material, diagnósticas de las zonas originarias o "nucleares", de cada cultura "foránea" presente en el área, y la persistencia de los rasgos culturales "autóctonos" de la propia área, a pesar de que comparten un espacio común por un largo período de tiempo, hacen posible pensar en una suerte de manejo intencionado de las distintas identidades culturales que confluyen en el área, que hemos conceptualizado como interdigitación. Esta mantención de las diferencias culturales, que se mantiene hasta el período Inca, abre la discusión en la ruta de las identidades étnicas y sus fronteras. Este nuevo panorama, aunque todavía es provisional, invita a una reconsideración de la prehistoria de Chile Central y su relación con el mundo andino. In the following paper we shall present the advances achieved in the characterization of the Late Intermediate period, at the upper course of the Aconcagua river (Fondecyt Projects 1970531 and 1000172). We have been able to visualize that, during the Late Intermediate period and Late period, the Aconcagua culture does not present the typical characteristics of its' nuclear area, the Maipo-Mapocho basin. It has been also noticed that the area has its' own and distinctive cultural dynamic, that vaguely may be interrelated with the neighboring cultures (Diaguita culture of the Semi Arid North and Aconcagua culture of the Maipo-Mapocho basin). The persistence of types of material culture of each of the foreign culture present in the area, that are diagnostic of their original or nuclear zone, and the persistence of local cultural elements, has led us to think of the use of a type of intentional regulation of the different cultural identities that converge in the area. This has been conceptualized as cultural "interdigitation". The maintenance of the different cultures, which persist until the Inca period, opens the discussion about ethnical identities and t
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