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Search Results: 1 - 10 of 15544 matches for " reconstruct Chinese American history "
All listed articles are free for downloading (OA Articles)
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On the Reconstruction of the Chinese American History in China Men
Minglan Zhang
Theory and Practice in Language Studies , 2012, DOI: 10.4304/tpls.2.4.793-800
Abstract: Approaching from Michel Foucault’s notion of history, mainly his counter-memory, the paper explores how Kingston reconstructs Chinese American history through the main strategy of counter-memory—talk-story. Through retelling how the male immigrants in her family participated in constructing America, rooted in America and served in the army, Kingston, with these transgenerational adventures as an archetype, discloses the discontinuity of American history and reconstructs an alternate Chinese American history from the perspective of Chinese Americans. The counter-memory in China Men highlights Chinese Americans’ outstanding contributions, prowess and masculinity, thus helping to carve a place for Chinese Americans in American history, recreate the new images of Chinese Americans and subvert the stereotypical images of Chinese Americans as submissive, feminine, and lack of manhood and prowess.
The Many Sides of Happy Lim: aka Hom Ah Wing, Lin Jian Fu, Happy Lum, Lin Chien Fu, Hom Yen Chuck, Lam Kin Foo, Lum Kin Foo, Hom, Lim Goon Wing, Lim Gin Foo, Gin Foo Lin, Koon Wing Lim, Henry Chin, Lim Ying Chuck, Lim Ah Wing, et. al.
Gordon H. Chang
Journal of Transnational American Studies , 2010,
Abstract: Known to the FBI, INS, and IRS as Mr. Ah Wing Hom, he was also Lin Jian Fu, Jian Fu (Tough Guy), or just Fu to the readers of the many poems and short stories he published in Chinese over four decades in the twentieth century. And to still others, primarily English-readers of his writing, he was Happy Lim, an ironic, even tragically bizarre name, as his life was far from pleasant. On New Year's Day 1986, he died alone in a dingy San Francisco Chinatown bachelor hotel suffering from a bacterial infection and a chronic blood disorder that had required the amputation of all his toes the year before. He was seventy-eight years of age and had spent most of his life within blocks of where he died.
Chinese and American Cultural Differences Reflected by Their Totems: Chinese Dragon and American Eagle  [PDF]
Huan Yan, Xuanlin Chen, Wanyu Chen
Creative Education (CE) , 2018, DOI: 10.4236/ce.2018.913142
Abstract: Totem, as the national symbol, reflects a nation’s culture, spirit and traditional values. This paper, basing on a lot of reading on Sino-US cultural differences, will explore the Sino-US cultural differences from a totally new way, the different characteristics of the totems of the two countries—the Chinese dragon and the American Eagle, and the different values, ways of thinking and cultural traditions shown?by their totems respectively. This paper not only reveals the cultural differences between the two countries, more importantly, from the outside phenomenon to the inside nature, it finds out the underlying causes of these differences through comparative analysis. Hoping to enhance the mutual understanding between the two peoples and show the world that the Chinese people has always been a peace-loving nation since ancient time under the current situation that the Western countries strongly play up the theory of?China threat.
Emerging from the Shadows: The Visual Arts and Asian American History
Gordon H Chang
Journal of Transnational American Studies , 2009,
Abstract: Asian American Art: A History, 1850-1970, the book from which this foreword is excerpted, is the first comprehensive study of the lives and artistic production of artists of Asian ancestry active in the United States before 1970. The publication features original essays by ten leading scholars, biographies of more than 150 artists, and over 400 reproductions of artwork, ephemera, and images of the artists. Aside from a few artists such as Dong Kingman, Yasuo Kuniyoshi, Isamu Noguchi, and Yun Gee, artists of Asian ancestry have received inadequate historical attention, even though many of them received wide critical acclaim during their productive years. This pioneering work recovers the extraordinarily impressive artistic production of numerous Asian Americans, and offers richly informed interpretations of a long-neglected art history. To unravel the complexity of Asian American art expression and its vital place in American art, the texts consider aesthetics, the social structures of art production and criticism, and national and international historical contexts. Without a doubt, Asian American Art will profoundly influence our understanding of the history of art in America and the Asian American experience for years to come. Chang, Gordon H., Mark Johnson, and Paul Karlstrom, eds. Asian American Art: A History, 1850-1970. Stanford, Calif.: Stanford University Press, 2008. Reprinted with the permission of Stanford University Press. http://www.sup.org
Some Problems of Reconstructing the System of the Chinese Foreign Investment Law
关于重构中国外资法体系的几个问题

WENG Guomin,
翁国民

浙江大学学报(人文社会科学版) , 1999,
Abstract: After a systematic discussion of the meaning, characteristics and fundamental construction of Chinese present foreign in-vestment law, this thesis, in accordance with the fact of changes both domestic and abroad as well as those problems in the present for-eign investment law system, makes an over-all analysis of the necessity and possibility of the reconstruction of Chinese foreign invest-ment law system and puts forward the writer's suggestion for it.
Curative resection of leiomyosarcoma with resection and reconstruction of inferior vena cava  [PDF]
Yashiro Motooka, Daisuke Hashimoto, Hisashi Sakaguchi, Akira Chikamoto, Toru Beppu, Michio Kawasuji, Hideo Baba
Case Reports in Clinical Medicine (CRCM) , 2013, DOI: 10.4236/crcm.2013.26090
Abstract: Leiomyosarcoma of the inferior vena cava (IVC) is a rare tumor, and it needs complete surgical resection for cure. In addition, the reconstruction of IVC is necessary in many cases. Herein, we indicate the case of a 57-year-old female with leiomyosarcoma in segment I of the IVC, which grew deep into vascular lumen. She underwent complete en bloc resection of the tumor and IVC reconstruction by an artificial pericardium patch.
Leopoldo Zea: Propuestas para la construcción de un futuro igualmente deseable para todos
Giorgis,Liliana;
Estudios de filosof?-a pr??ctica e historia de las ideas , 2006,
Abstract: l. zea's thinking begun to take shape during the 1940s; they are part of a representative legacy to latin american philosophy and, more specifically, to the history of latin american ideas. the reflections in his books, also presented at discussion forums all over the world, always tried to disclose the meaning of our history in order to enlighten and to organize the knowledge and the practices of our spiritual life, this being so without neglecting our concern about the way our history and culture articulate with the universal history and culture. moreover, his work nourishes a tradition always aimed at strengthening the ideals of freedom, people's autonomy, and integration, and especially the capacity to "imagine future societies just as desirable for all", as don leopoldo would say.
Gifted Hands –America’s Most Significant Contributions to Surgery
Kenneth Lee
University of Toronto Medical Journal , 2010, DOI: 10.5015/utmj.v87i2.1179
Abstract: "Gifted Hands" by Dr. Seymour I. Schwartz takes the reader on a 300 year history of America's most significant contributions to the field of surgery. Covering fields as diverse as gynaecology to cardiothoracic surgery, "Gifted Hands" is a concisely written and accessible history that appeals to both medical professionals and lay readers alike.
A Comparative Perception of the Culturally Different Others: Stereotyped or Not
Shi-Yong Peng
Cross-Cultural Communication , 2012, DOI: 10.3968/j.ccc.1923670020120805.2050
Abstract: This paper attempts to explore how American and Chinese college students perceive and are stereotyped towards each other. The data was collected from 150 American college students and 82 Chinese college students. The results are based on the keywords generated from the sentence population produced by the samples. This study finds out that the knowledge of American journalist students of Chinese people and Chinese culture is very shallow, and cultural stereotypes are obvious in their perceptions. The results of the Chinese data show that the knowledge level of Chinese college students about American people and American culture is higher than the knowledge level of American students about Chinese people and Chinese culture. Key words: Cultural stereotypes; Chinese culture; American culture
The Politics of Transnational Memory in Amy Tan’s The Joy Luck Club
Silvia Schultermandl
Journal of Transnational American Studies , 2011,
Abstract: “The Politics of Transnational Memory in Amy Tan’s The Joy Luck Club” sees Tan’s representation of memory as either a function of loss (and limited recovery) or of distance (whether temporal or physical). For Schultermandl, the text suggests that familial or national relationships built on generational and immigrant memory cannot really create conditions of solidarity or identification and are thus doomed to failure—either that, or what is “memory” must be transformed by “experience” and then be understood, what Schultermandl calls “belated memory.” Schultermandl offers an account of the failure of the narrative to provide for a bond between the generations of women—immigrant mothers and American-born daughters. This conceptual problem is represented by the novel’s end, where the overriding implication of the narrative is that in order to reconcile and occupy the identity of a Chinese American one must somehow be both Chinese and American, an experience of being that Schultermandl questions. Additionally, in not representing modern China or modern Chinese women, Schultermandl argues, the novel gives up an opportunity to create a “transnational solidarity” among women in favor of a national identity that supersedes the individual, who in Tan’s text becomes a mere stand-in for traditionally held ideological and national stereotypes.
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