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Search Results: 1 - 10 of 188528 matches for " Mariana Mayumi Pereira de;Carrieri "
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Identidades, práticas discursivas e os estudos organizacionais: uma proposta teórico-metodológica
Souza, Mariana Mayumi Pereira de;Carrieri, Alexandre de Pádua;
Cadernos EBAPE.BR , 2012, DOI: 10.1590/S1679-39512012000100005
Abstract: this paper aims to propose a perspective on identity in organizational studies, considering an integrative view of identity as everyday practices, practices as discursive practices, and discursive practices as oriented by rationalities. oriented by different rationalities, individuals are capable of practicing either an authentic or an instrumental identity in their current lives. applying this assertion to organizational contexts, we emphasize the importance of studying individuals in relation to collective levels. according to ramos' (1981) theory on the delimitation of social systems, in different worlds of social life, individuals are allowed to act according to different rationality types. on the other hand, considering ciampa's (2003) concept of metamorphosis identity, we can also state that individuals are capable of practicing an authentic identity in instrumental-oriented contexts. in this way, they transform themselves and transform repressive conditions. therefore, researchers willing to comprehend identity processes in organizational contexts are expected to identify emergent groups, i.e. collective identities, and then analyze the relationship between collective and individual rationalities in order to reveal identity construction. this paper presents a theoretical articulation of our proposal and, in the final part, indicates possible methodological paths to operationalizing it.
Racionalidades no fazer artístico: estudando a perspectiva de um grupo de teatro
Souza, Mariana Mayumi Pereira de;Carrieri, Alexandre de Pádua;
Revista de Administra??o de Empresas , 2011, DOI: 10.1590/S0034-75902011000400006
Abstract: this paper aims at discussing which rationality types may orient contemporary artistic practice. this objective emerged from a research made in grupo galp?o, a twenty-eight years old theatre group from belo horizonte. as we entered into the research locus, by documental analysis, non participant observation and interviews, the rationality issue became a prominent theme to be discussed considering contemporary art production. by means of discourse analysis elements, we could identify in artists' discursive practices meanings about art-making, sometimes related to instrumental rationality and to surviving in the market of cultural goods; and sometimes, on the other hand, were related to substantive rationality and to practices oriented by ethical or esthetical ideals. by the end, despite of economic pressures from the cultural industry context, we understand that authentic art is intrinsically a transcendent practice and keeps moments of freedom and assertion of out-of-the-ordinary life values.
RACIONALIDADES NO FAZER ARTíSTICO: ESTUDANDO A PERSPECTIVA DE UM GRUPO DE TEATRO
Mariana Mayumi Pereira de Souza,Alexandre de Pádua Carrieri
Revista de Administra??o de Empresas , 2011,
Abstract: This paper aims at discussing which rationality types may orient contemporary artistic practice. This objective emerged from a researchmade in Grupo Galp o, a twenty-eight years old theatre group from Belo Horizonte. As we entered into the research locus, by documental analysis, non participant observation and interviews, the rationality issue became a prominent theme to be discussed considering contemporary art production. By means of discourse analysis elements, we could identify in artists’ discursive practices meanings about art-making, sometimes related to instrumental rationality and to surviving in the market of cultural goods; and sometimes, on the other hand, were related to substantive rationality and to practicesoriented by ethical or esthetical ideals. By the end, despite of economic pressures from the cultural industry context, we understand that authentic art is intrinsically a transcendent practice and keeps moments of freedom and assertion of out-of-the-ordinary life values
A arte de (sobre)viver coletivamente: estudando a identidade do Grupo Galp o El arte de (sobre)vivir colectivamente: un estudio de la identidad del Grupo Galp o The art of surviving together: studying the identity of the Grupo Galp o
Mariana Mayumi Pereira de Souza,Alexandre de Pádua Carrieri
Revista de Administra??o (S?o Paulo) , 2013,
Abstract: O objetivo neste artigo foi analisar o processo de constru o da identidade coletiva do Grupo Galp o, um grupo de atores de teatro fundado em 1982 e sediado em Belo Horizonte. O tema da identidade foi abordado em rela o ao contexto da indústria cultural. Para o estudo da identidade, partiu-se do nível individual para entender significados coletivamente partilhados, notadamente em rela o aos objetivos e à estrutura do grupo. Sendo a identidade individual construída a partir das práticas discursivas e sendo essas últimas sempre relacionadas a estruturas sociolinguísticas e aos gêneros discursivos, a identidade individual é revelada em determinado contexto e em rela o a outras identidades, individuais e coletivas. Entende-se, na pesquisa aqui apresentada, que os espa os de intera o delimitados pelas identidades coletivas fornecem limites para a express o das identidades individuais. Entretanto, ocasionalmente, o indivíduo lograria transformar-se e transformar ativamente os espa os que lhe imp em rela es de domina o. Para penetrar na realidade cotidiana do Grupo Galp o, foram realizadas observa es e entrevistas em profundidade, as quais foram tratadas pela análise do discurso. Ao final da pesquisa, foram evidenciados aspectos identitários do Grupo Galp o que comprovam a estabilidade do grupo, mas que revelam tens es entre a racionalidade do mercado de bens culturais e a racionalidade intrínseca à produ o artística autêntica. El objetivo de este artículo fue analizar el proceso de construcción de la identidad colectiva del Grupo Galp o, un grupo de actores de teatro fundado hace veinte y nueve a os y que se queda en Belo Horizonte. Se abordó el tema de la identidad en relación al contexto de la industria cultural. Para estudiar la identidad, se partió del nivel individual para comprenderse los significados colectivamente compartidos, en relación a los objetivos y a la estructura del grupo. Siendo la identidad individual construida a partir de las prácticas discursivas y siendo estas siempre relacionadas a las estructuras sociolinguísticas y a los géneros discursivos, la identidad individual es revelada en un contexto y en relación con las otras identidades, individuales o colectivas. Se comprende, en esta pesquisa, que los espacios de interacción delimitados por las identidades colectivas traen límites para la expresión de las identidades individuales. Ocasionalmente, el individuo lograría transformarse y transformar activamente los espacios que le imponen relaciones de dominación. Para penetrar en la realidad diaria del Grupo Galp o, fueron realizada
The construction of organizational identity: discourses on a Brazilian private railroad
Souza, Mariana Mayumi Pereira de;Carrieri, Alexandre de Pádua;Faria, Ant?nio Augusto Moreira de;
BAR. Brazilian Administration Review , 2008, DOI: 10.1590/S1807-76922008000300002
Abstract: considering the current organizational macro-environments, we notice that competitors have become more aggressive. at the same time, some stakeholders are expecting more from organizations in relation to social and environmental issues. therefore, in order to survive in this context, it is crucial for organizations to know better their identity, which is projected by different means of communication to its internal members and external public. in this scenario, the aim of this paper is to analyze the projected organizational identity of a recently privatized brazilian railroad. we studied the construction and transformation process of this organizational identity through two different discourses: that of the high-level manager and that of the trade union. in addition, two discourse analysis elements were used: the persuasion strategies and the discursive images. these elements were very useful in order to apprehend the ideological background of the discourses and the organizational identity projected. in the end, we concluded that the identity projection process occurs in a very diverse, contradictory and interactive way.
The Construction of Organizational Identity: Discourses on a Brazilian Private Railroad
Mariana Mayumi Pereira de Souza,Alexandre de Pádua Carrieri,Ant?nio Augusto Moreira de Faria
BAR. Brazilian Administration Review , 2008,
Abstract: Considering the current organizational macro-environments, we notice that competitors have become more aggressive. At the same time, some stakeholders are expecting more from organizations in relation to social and environmental issues. Therefore, in order to survive in this context, it is crucial for organizations to know better their identity, which is projected by different means of communication to its internal members and external public. In this scenario, the aim of this paper is to analyze the projected organizational identity of a recently privatized Brazilian railroad. We studied the construction and transformation process of this organizational identity through two different discourses: that of the high-level manager and that of the trade union. In addition, two Discourse Analysis elements were used: the persuasion strategies and the discursive images. These elements were very useful in order to apprehend the ideological background of the discourses and the organizational identity projected. In the end, we concluded that the identity projection process occurs in a very diverse, contradictory and interactive way.
Práticas discursivas na constru??o de uma gastronomia polif?nica
Murta, Ivana Benevides Dutra;Souza, Mariana Mayumi Pereira de;Carrieri, Alexandre de Pádua;
RAM. Revista de Administra??o Mackenzie , 2010, DOI: 10.1590/S1678-69712010000100003
Abstract: in this paper, we aimed to contextualize the gastronomic development and changes in spatial meanings, considering the tactics and strategies involved in this process. the everyday practices reconstruct continuously the culinary meanings and, in the case of the district of macacos, a city in the state of minas gerais, 30 km from belo horizonte, we observed that a mosaic of gastronomic offers reflects the everyday practices and projects certain identity of the district to tourists. macacos became a regional gastronomic pole or route at the end of twentieth century, but it has already developed a lot in this sector and counts on several restaurants of regional and international food. in this context, we wanted to know: how gastronomic strategies and tactics are built in macacos? in order to answer this question, we analyzed documents, the restaurants' menu and we interviewed the restaurants' owners and employees. by the end, we found out that polyphony was the strategy in all gastronomic activities in macacos. however, we observed a differentiation associated to the restaurant owners' origin: the entrepreneurs from macacos tended to work with regional food and the entrepreneurs from outside the district tended to work with what they classified as "international food". in the coexistence of typical and exotic, polyphony and pictoriality are relevant practices.
Práticas discursivas na constru o de uma gastronomia polif nica
Ivana Benevides Dutra Murta,Mariana Mayumi Pereira de Souza,Alexandre de Pádua Carrieri
Revista de Administra??o Mackenzie , 2010,
Abstract: Objetivamos neste trabalho contextualizar o desenvolvimento da gastronomia e as mudan as de significado espacial, observando as táticas e estratégias envolvidas nesse processo. As práticas cotidianas reconstroem continuamente os significados da culinária, e, no caso de Macacos, distrito mineiro, a 30 km de Belo Horizonte, observamos que o mosaico de ofertas gastron micas reflete tais práticas e projeta certa identidade do distrito aos turistas. Macacos apareceu como um polo ou roteiro gastron mico regional a partir de finais do século XX, mas já se desenvolveu bastante nessa área e conta com restaurantes de culinária mineira e internacional. Nesse contexto, procuramos saber: como se constroem as estratégias e táticas gastron micas em Macacos? Para tanto, foram feitas consultas documentais, consultas às cartas dos restaurantes e entrevistas com donos e funcionários. Ao final, encontramos que a polifonia era a estratégia em todas as atividades gastron micas em Macacos. Todavia, percebemos uma diferencia o associada à origem dos donos dos restaurantes: os empreendedores autóctones tendem a trabalhar com a elabora o de comida típica mineira, ao passo que os forasteiros, em geral, fazem quest o de se classificarem como inseridos em uma gastronomia internacional. Na coexistência do típico e do exótico, a polifonia e a pictoricidade s o práticas evidenciadas.
A DIMENS O IDENTITáRIA EM DUAS FEIRAS HIPPIES: UMA COMPARA O ENTRE ESTADOS UNIDOS E BRASIL
Alexandre de Pádua Carrieri,Mariana Mayumi Pereira Souza,Jorge Lengler
GEST?O.Org : Revista Eletr?nica de Gest?o Organizacional , 2011,
Abstract: In this paper, we intended to reveal identities, through the behavior diversity of individuals inserted in two hippie marketplaces, in two different countries. The studied locus were the “Saturday Market”, in the state of Oregon, United States, and the “Feira Hippie” of Belo Horizonte, in the state of Minas Gerais, Brazil. Semi-structured interviews and the ethnographic method were considered satisfactory to apprehend the every-day behaviors in the marketplaces. So, by the end of the research process, we had a rich data to analyze, which allowed us to reveal identities constructed by the expositors’ practices. We concluded that identities in the marketplaces are detected through historical, behavioral and spatial aspects. The marketplaces were institutions with distinct meanings, different contexts and attractive to different public. However, the professional identity of artisan presented some similar nuances in both places. This identity was the identitary link between the two marketplaces.
De camel a empreendedor? O impacto da mudan a espacial na identidade dos ambulantes
Alexandre de Pádua Carrieri,Carolina Machado Saraiva de Albuquerque,Ivana Benevides Dutra Murta,Mariana Mayumi Pereira de Souza
GEST?O.Org : Revista Eletr?nica de Gest?o Organizacional , 2009,
Abstract: This article proposes to analyze the street vendors’ identity in the city of Belo Horizonte, MinasGerais, during their geographical change from the streets to the so called Shoppings Populares.This study uses discourse analysis to understand this process, as a methodological instrument. Thediscourses used were extracted from the widespreadnewspapers and some interviews with thestreet vendors. It was used the categories of identity, territory and space. From these categories itwas possible to understand the identity change overtheir conception of work. It was discoveredthat there are two different conceptions of identity work between the street vendors, divided in twogroups: those who suffered the geographical changeand those who did not. It is believed that thenew identity work is forming itself, constituted byall different kinds of narratives. In this study,weunderstand identity as a fluid concept, which is inconstant change proces
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